"Seems quite funny to be buying books," he said. "I haven't read a thing I've bought, not for years."
We reached the Opera in time for the end of the first act--it was Aïda, I think. My little friend had a free pass all over the house. I had not been in it for years. In the old days I had always seen the stage from a great height, craning over people's heads in a sultry twilight; now I saw it on a level, seated at my ease. I had only the power of the Press to thank for the change.
"Come here as often as I can," my companion said; "can't do without music when it's to be had." Indeed he had the love of his race for it. It seemed to soften him, to change his nature, as he sat silent by my side.
But the closing notes of each scene found him out in the cool of the corridors, talking, and being talked to by anyone that would vouchsafe him a word.
After the finale we leaned over one of the side balconies to watch the crowd streaming down the marble staircases. It is a scene that I never tire of. There is something so fantastically tawdry in the coloured marble of the architecture. It is for all the world like a triumph of ornamental soap work; one expects to smell the odours. And the torrent of humanity pouring liquidly aslant through the mirror-like light, and the spaciousness.... Yes, it is fantastic, somehow; ironical, too.
I was watching the devious passage of a rather drunken, gigantic, florid Englishman, wondering, I think, how he would reach his bed.
"That must be a relation of yours," the correspondent said, pointing. My glance followed the line indicated by his pale finger. I made out the glorious beard of the Duc de Mersch, on his arm was an old lady to whom he seemed to pay deferential attention. His head was bent on one side; he was smiling frankly. A little behind them, on the stairway, there was a space. Perhaps I was mistaken; perhaps there was no space--I don't know. I was only conscious of a figure, an indescribably clear-cut woman's figure, gliding down the way. It had a coldness, a self-possession, a motion of its own. In that clear, transparent, shimmering light, every little fold of the dress, every little shadow of the white arms, the white shoulders, came up to me. The face turned up to meet mine. I remember so well the light shining down on the face, not a shadow anywhere, not a shadow beneath the eyebrows, the nostrils, the waves of hair. It was a vision of light, theatening, sinister.