"Death," by Bernini, 226; by Pigalle, 230
Demidoff, Countess, Bosio's statue of, 274
"Deposition from the Cross," by Pisano, 127; by Omodeo, 158
"Descent from the Cross" (Begarelli), 194
Diana; temple of, at Ephesus, 57; _à la Biche_, 95 (and _see_ Artemis)
Dubois, Cardinal, Coustou's statue of, 230
Dürer, Albrecht; 166; Rauch's statue of, 271
Egyptians; ancient sculpture of, 1; influence of, on Etruscan art, 82
Elector Frederic III., Schlüter's statue of, 234
Emperor of Austria, Canova's bust of, 243
England; sculpture introduced into, in fourteenth century, 125; in sixteenth century, 179
Eros, 55; of Centocelle, 60 (and _see_ Cupid)
Etruscans originated Italian sculpture, 82
"Expulsion of Heliodorus" (Thorwaldsen), 254
Farnese Palace; and Michael Angelo, 209; della Porta's statues in, 212
Ferrara, Quercia's works in, 137; Lombardo's works in, 192
Flaccus, Fulvius, and statues from Volsinii, 82
Florence; and Giovanni Pisano, 132; and Pietro di Giovanni, 135; Ghiberti's works in, 140
Florence, cathedral of, high altar in, 212
Fountain; by Labenwolf, 176; by Giovanni da Bologna, 214; by Bernini, 226; of the Manneken-Pis, 227; Molière, 274
Francis I., 148, 176; and Rustici, 183; and Cellini, 189; monument of, by Pilon, 216
Frauenkirche, Nuremberg; 123; Krafft's works in, 167
Frederick the Great, Schadow's statue of, 269
Friedrich August, Rietschel's statue of, 271
"Gallic theory" concerning Apollo, Diana, and Minerva, 96
Ganymede, by Leochares, 65; by Thorwaldsen, 260
Genre; Apoxyomenos as example of, 70; sculpture, 81
Ghirlandajo, Domenico, and Michael Angelo, 195
Glyptothek, Munich; groups from Ægina in, 25; Barberini Faun in, 73; Thorwaldsen's Adonis in, 258; Schwanthaler's decoration of, 271
Golden House of Nero, 84; "Venus Callipiga" in, 87
Gothic style, 114, 115; in German art, 120; hindrances of, 160
Graces, The, by Pilon, 216; by Canova, 241; by Thorwaldsen, 260
Granada, cathedral of, Virgin by Cano in, 220
Great Elector, Schlüter's statue of, 233.
Greece; ancient sculpture of, 18; religion of, 19; influence of, on Etruscan art, 82; portrait sculpture in, 100
Grimm; concerning Donatello's St. George, 143; concerning Michael Angelo's David, 200
Hadrian, Emperor; and archaistic period, 27; and Glycon, 88