The Grantville Gazette III is the third collaborative and the fourth anthology in the 1632 series edited by the series creator, Eric Flint. It was published as an e-book by Baen Books in October 2004. It was released as a hardcover in January 2007, and trade paperback in June 2008 with both editions containing Flint's story "Postage Due".
Book cover notes
E-book cover art
The illustration on the e-book cover is Judith Slaying Holofernes (Naples Version) by Artemisia Gentileschi (1593–1653), painted circa 1612–1613. Gentileschi was the most prominent female artist of the period, and is referred to in the novel 1634: The Galileo Affair, and appears earlier in the overall series timeline when she sends her daughter to Grantville in "Breaking News" in the anthology Grantville Gazette V. The Biblical episode involving Judith and her maidservant killing the Assyrian tyrant Holofernes was an immensely popular theme for painters and sculptors of the Renaissance and the early modern era.
Story Synopses
"Postage Due"
by Eric Flint
This story might well be considered a continuing serial by Eric Flint, as it follows the trend set from the outset in Grantville Gazette Is "Portraits" wherein Anne Jefferson is cast as the common model for five seventeenth century master painters as Stearns hatches a plan to count another subtle-coup under the radar screen of the down-timer political opponents with their willing co-operation. As with his release of directions via Jefferson on how to make an antibiotic (See "Portraits" and culmination of the plot in 1634: The Baltic War), the politicians opposing the republic of the United States of Europe and democracy of the State of Thuringia-Franconia have no concept of the attack unleashed via the popular psyche.
In this the third installment of the Nurse's Amsterdam tale, Jefferson sits for Peter Paul Rubens a second time—during or shortly after a Stearns visit to the "siege of Amsterdam"—but also as part of the Stearns scheme at the same time, for "the unknown" young master painter-to-be Rembrandt and the resident Dutch portrait masters, the brothers Frans and Dirck Hals. Meanwhile, Special Forces Captain Harry Lefferts appears in a scene suggesting skulduggery and underhanded dealings with a specific reference to Frans Hals need for money and a Frenchman willing to outbid others in the Netherlands.
The story ends with Cardinal Richelieu selecting a painter and planning to join the parade of states in the new service, despite the nominal hostilities, which makes the postal service a typical Stearnsian stroke at the underpinnings of the old Europe, with untold and unexpected consequences for the down-time leaders adopting the new concept.
"Pastor Kastenmayer's Revenge"
by Virginia DeMarce
The story follows a good Lutheran pastor who escapes from a small village leading women and children whilst most of the villages men and boys perish fighting a delaying action against Count Tilly's rampaging mercenaries. In Grantville, his oldest daughter gets swept off her feet by a handsome up-timer and marries a few days later without permission.
With the help of a formidable widow, the pastor plots a fitting revenge and founds a fifth-column that seeks to not only trap eligible bachelors into marriage to his flock's dowerless eligible daughters, but to convert the American scoundrels into becoming stalwart Lutherans. He carefully targets young American men known to be "heretics" or lapsed in their own religions, and indirectly the scheme has the effect of rehabilitating some of the more under-achieving and undereducated American hillbillies into more solid citizens who can support a Lutheran family. The tale is loosely modeled on the Seven Daughters for Seven Sons, at least in numbers, and every couple has their story that spans the time line from 1631 to early 1635. It serves as an exposition of likely culture clash scenario's as the up-timers' social system comes up against a stubborn adherent of the religiously centered thought modes prevalent in the transitional period between middle-ages social modes and the social revolution inherent in modern thought embodied in Grantville's natives.
"The Sound of Music"