Before the final decision was made, Bach made it his business to be on hand at Leipzig. When it became clear to Graupner that he was out of the running he heartily recommended Bach. The latter was requested, in order to prove his fitness for the post he sought, to conduct in the Church of St. Thomas on Good Friday, 1723, a work of his own composition, appropriate to the day. That work was the _Passion according to St. John_ which, though it may have been written hurriedly, is a creation of such transcendent grandeur that only the later _Passion according to St. Matthew_ can be said to excel it in lyric splendor and sublimity.

As soon as Graupner’s decision was known, Bach asked Prince Leopold for his official leave. The letter of dismissal was couched in most friendly and flattering terms. At Leipzig Bach executed a document binding himself to discharge all the duties of the Cantorship, undertaking to teach a variety of subjects and even to give private lessons in singing without extra pay. The only thing he balked at was taking charge of Latin classes. For this chore he agreed to provide a substitute at his own expense. Then he took leave of Prince Leopold, with whom he remained on terms of the closest friendship till the prince’s death five years later. On May 5, 1723 he received from the burgomaster of Leipzig the ceremonious notification of his unanimous appointment. On May 30 he conducted at the Church of St. Nicholas (which he served alternately with the Church of St. Thomas) the cantata _The Hungry Shall Be Fed_. Therewith he inaugurated his office.

Johann Sebastian Bach — Part 19

Bach settled in Leipzig at the age of thirty-eight. He remained there the rest of his life. True, he came and went, and he made journeys of one sort or another, but they were never far distant or protracted. In Leipzig he created his grandest, his most colossal, and also his profoundest and subtlest works. His duties were incredibly numerous and often heart-breakingly heavy. He was responsible, it has been said, “to all and to none.” Again and again he had the rector of the St. Thomas School, the city council, the church Consistory, and yet others about his ears. He had to look after the musical services in four churches, two of them the most important in the town. Under exasperating conditions he had to teach turbulent and ruffianly pupils. He had to combat official ill will and intrigue. For the performances he was obliged to conduct he had vocal and instrumental forces that strike us as laughably inadequate and were in numberless cases grossly unskilled. The demands on his physical and spiritual strength must have been appalling. Yet Bach appears to have had the resources and the resistance of a giant. We know that over and again his temper, his obstinate nature and inborn pugnacity were tried to the uttermost. But in the face of all irritations he was earning enough, his home life was comfortable, he met and entertained artists, he had the satisfaction of knowing that his sons could enjoy the educational advantages of Leipzig, and he gradually gathered about him a company of greatly gifted young students and devoted disciples.

Johann Sebastian Bach — Part 19