To the gaudy drapeaus of the italian and turkish legions, which every where present the appearance of belonging to the wardrobe of a pantomimic hero, he would observe, "The scent of the battle has not perfumed you; its smoke has not sullied your shining, silky sides. Ye appear in numbers, but display no marks of having waved before a brave, united and energetic band."

In this manner might he trace the various fate of the war. Upon several of the staffs only two or three shreds of colours are to be seen adhering. These are chiefly Austrian. On each side of the chapel are large, and some of them valuable paintings, by the french masters, representing the conquests of the french armies at different eras.

The Stranger in France — Part 88

It is a matter not unworthy of observation, that although the revolution with a keen, and savage eye, explored too successfully, almost every vestige of a royal tendency, the beautiful pavement under the dome of the invalides has escaped destruction. The fleur de lis, surmounted by the crown of France, still retains its original place, in this elegant and costly marble flooring. The statues of the saints have been removed; and their places are supplied by the new order of revolutionary deities; but the names of the ancient figures have not been erased from the pedestals of the new ones: to which omission the spectator is indebted for a smile when contemplating the statue of Equality, he reads, immediately below his feet, "_St. Louis_."

The Stranger in France — Part 88

There is here a costly monument erected to the memory of the brave marshal Turenne, who was killed by a cannon ball in 1675. In my humble opinion, it is too much in the false taste of french statuary. A groupe of weeping angels surround the recumbent hero, in the attitudes of operatic figurantes, in whose faces, and forms, the artist has attempted, too laboriously and artificially, to delineate the expressions of graceful grief. On each side of the vast arch which divides the dome from the chapel, are raised the tablets of military honour, on which, in characters of gold, the names of those soldiers are recorded who have distinguished themselves for their achievements in the late war. As we were contemplating a painting upon a very large scale, in which, amongst other figures, is an uncovered whole length of a warrior, a prudish-looking lady, who seemed to have touched the age of desperation, after having very attentively beheld it with her glass for some time, observed to her party, that there was a great deal of indecorum in the picture. Madame S---- very shrewdly whispered in my ear, that the indecorum was in the remark.

The Stranger in France — Part 88