‘The young ladies is in the music-room, sir,’ the butler said respectfully, being himself a native of Berks, and feeling that the advent of a Renton was an honour to the house; ‘and I was to tell you as tea is served in the drawing-room.’

‘Oh, I’ll join the young ladies,’ said Frank, lightly, thinking of Nelly only, his sister-in-law that was to be. No doubt some one must be with her, but that did not matter. Indeed, on the whole, it was so much the better, for it would not be becoming to flirt, except in the very mildest way, with a girl who was going to be your brother’s wife. He ran up-stairs, telling the man he knew the way, and thus making a daring leap into intimacy such as he would never have dreamed of had he taken time to think. But his own plan had taken possession of him. Of course she was going to be his sister-in-law, and it would be absurd to stand upon ceremony. Thus Frank, being unused to the excitement of so much thinking, was carried away by it, and took his own imaginations for granted. As he ran up-stairs, however, his ear was caught by the sound of the organ, a sound which had not been heard in Beecham so long as he had known the house, and to which Richmont, according to Nelly’s description, was as little accustomed. The music seemed to fill the place, swelling through the stairs and passages, which were full of the darkness and stillness of the approaching night. Frank stood still to listen, and then went on with a surprised face, and with a new thrill in his heart. It was surely the same sonata he had heard softly breathing out of the dark drawing-room that night he visited Fitzroy Square. Who could be playing? Could there be two girls in the world who had the same power, the same feeling for music, the same subtle sentiment, and expressive strength? But then how did he know at all that it was a girl who was playing? It might be some old music-master, one of the sort of people whom Nelly loved. All the same, it had the effect of subduing his steps, and making his approach much less confident and unembarrassed. He lingered,--he thought of going back,--he felt himself a coxcomb and presumptuous animal. And yet he went on, led partly by the force of the impulse which was still upon him, and partly allured by the dulcet and harmonious sound to which he was so susceptible. He knocked at the door, but his summons was unheard in the midst of the music. Then he opened it softly, and went in. There was no light in the room except the pale twilight, which marked out every line of the windows, and the glimmering of the painted glass at the end by which he entered. He seemed to step out of the real world altogether into an enchanted place when he crossed that darkling threshold. The gilded organ-pipes caught a certain faint reflection, and under that dim shimmer sat a shadow, which was playing; while in the centre window, in the bay, looking out, as it seemed, into the night, another shadow, light and small as a fairy, stood listening or musing. The opposite wall of the room, and the picture which was so bright in the daylight, had retreated altogether into the gloom; and the painted window hung as if suspended in the air; and all the solid wall in which it was set, and the dark oak carving under it, had receded into obscurity. Frank stood with his hand on the door, and held his breath. He felt at once like a fool and like an intruder, not knowing who they were whose privacy he was invading, and having no right whatever to be there even had he been sure it was Nelly who stood in the window. He had burst into her particular privacy unannounced the second time he had been in the house! But Frank was bewitched, and stood still, blotting himself out as small as possible against the door.

The Three Brothers; vol. 2/3 — Part 78