About sunset, one very beautiful day, the Princess visited the garden; her soul was as bright as the horizon; she talked delightfully with her Bostangi about many indifferent matters, for the mere purpose of speaking to him; and after he had filled her flower-basket, she seated herself in a grove, and bound up a nosegay, with which she presented him. The Count, as a mark of reverence to his fair mistress, fastened it, with a look of surprise and delight, to the breast of his waistcoat, without ever dreaming that the flowers might have a secret import; for these hieroglyphics were hidden from his eyes, as from the eyes of a discerning public the secret wheel-work of the famous Wooden Chess-player. And as the Princess did not afterwards expound that secret import, it has withered away with the blossoms, and been lost to the knowledge of posterity. Meanwhile she herself supposed that the language of flowers must be as plain to all mortals as their mother-tongue; she never doubted, therefore, but her favourite had understood the whole quite right; and as he looked at her with such an air of reverence when he took the nosegay, she accepted his gestures as expressions of modest thanks for the praise of his activity and zeal, which, in all probability, the flowers had been meant to convey. She now took a thought of putting his inventiveness to proof in her turn, and trying whether in this flowery dialect of thanks he could pay a pretty compliment; or, in a word, translate the present aspect of his countenance, which betrayed the feelings of his heart, into flower-writing; and accordingly, she asked him for a nosegay of his composition. The Count, affected by such a proof of condescending goodness, darted to the end of the garden, into a remote greenhouse, where he had established his flower-dépôt, and out of which he was in the habit of transferring his plants to the soil as they came into blossom, without stirring them from their pots. There chanced to be an aromatic plant just then in bloom, a flower named _Mushirumi_[23] by the Arabs, and which hitherto had not appeared in the garden. With this novelty Count Ernst imagined he might give a little harmless pleasure to his fair florist; and accordingly, for want of a salver, having put a broad fig-leaf under it, he held it to her on his knees, with a look expressive of humility, yet claiming a little merit; for he thought to earn a word of praise by it. But, with the utmost consternation, he perceived that the Princess turned away her face, and, so far as he could notice through the veil, cast down her eyes as if ashamed, and looked on the ground, without uttering a word. She hesitated, and seemed embarrassed in accepting it; not deigning to cast a look on it, but laying it beside her on the seat. Her gay humour had departed; she assumed a majestic attitude, announcing haughty earnestness; and after a few moments left the grove, without taking any farther notice of her favourite, not, however, leaving her _Mushirumi_ behind her, but carefully concealing it under her veil.