IN WHICH THE READER WILL BE DELIGHTED TO FIND THAT PORTHOS HAS LOST NOTHING OF HIS STRENGTH.
D'Artagnan had, according to his usual style, calculated that every hour is worth sixty minutes, and every minute worth sixty seconds. Thanks to this perfectly exact calculation of minutes and seconds, he reached the surintendant's door at the very moment the soldier was leaving it with his belt empty. D'Artagnan presented himself at the door, which a porter with a profusely embroidered livery held half-opened for him. D'Artagnan would very much have liked to enter without giving his name, but this was impossible, and so he gave it. Notwithstanding this concession, which ought to have removed every difficulty in the way, at least D'Artagnan thought so, the concierge hesitated; however, at the second repetition of the title, captain of the king's guards, the concierge, without quite leaving the passage clear for him, ceased to bar it completely. D'Artagnan understood that orders of the most positive character had been given. He decided, therefore, to tell a falsehood--a circumstance, moreover, which did not very seriously affect his peace of mind, when he saw that, beyond the falsehood, the safety of the state itself, or even purely and simply his own individual personal interest, might be at stake. He moreover added, to the declarations which he had already made, that the soldier sent to M. de Valon was his own messenger, and that the only object that letter had in view was to announce his intended arrival. From that moment, no one opposed D'Artagnan's entrance any further, and he entered accordingly. A valet wished to accompany him, but he answered that it was useless to take that trouble on his account, inasmuch as he knew perfectly well where M. de Valon was. There was nothing, of course, to say to a man so thoroughly and completely informed on all points, and D'Artagnan was permitted therefore to do as he liked. The terraces, the magnificent apartments, the gardens, were all reviewed and narrowly inspected by the musketeer. He walked for a quarter of an hour in this more than royal residence, which included as many wonders as articles of furniture, and as many servants as there were columns and doors. "Decidedly," he said to himself, "this mansion has no other limits than the limits of the earth. Is it probable Porthos has taken it into his head to go back to Pierrefonds without even leaving M. Fouquet's house?" He finally reached a remote part of the chateau inclosed by a stone wall, which was covered with a profusion of thick plants, luxuriant in blossoms as large and solid as fruit. At equal distances on the top of this wall were placed various statues in timid or mysterious attitudes. These were vestals hidden beneath the long Greek peplum, with its thick, heavy folds: agile watchers, covered with their marble veils and guarding the palace with their furtive glances. A statue of Hermes, with his finger on his lips; one of Iris, with extended wings; another of Night, sprinkled all over with poppies, dominated in the gardens and the outbuilding's, which could be seen through the trees. All these statues threw in white relief their profiles upon the dark ground of the tall cypresses, which darted their black summits toward the sky. Around these cypresses were entwined climbing roses, whose flowering rings were fastened to every fork of every branch, and spread over the lower branches and upon the various statues showers of flowers of the richest fragrance. These enchantments seemed to the musketeer the result of the greatest efforts of the human mind. He felt in a dreamy, almost poetical, frame of mind. The idea that Porthos was living in so perfect an Eden gave him a higher idea of Porthos, showing how true it is, that even the very highest orders of minds are not quite exempt from the influence of surrounding circumstances. D'Artagnan found the door, and at the door a kind of spring which he detected; having touched it, the door flew open. D'Artagnan entered, closed the door behind him, and advanced into a pavilion built in a circular form, in which no other sound could be heard but cascades and the songs of birds. At the door of the pavilion he met a lackey.