The rural postman on his bicycle, wearing _képi_ and blue blouse, came pedaling along the highway. When he saw Warner he saluted and got off his wheel.
"Eh, bien?" he inquired, lowering his voice; "et la guerre?"
"Monsieur Warner, the affair is becoming very serious."
"People are calm—too calm. A little noise, now, a little gesticulation, and the affair would seem less ominous to me—like the Algeciras matter and the Schnaeble incident before that—Monsieur may remember?"
"I know. It is like the hush before a tempest. The world is too still, the sunlight too perfect."
"There seems to me," said the little postman, "a curious unreality about yesterday and today—something in the cloudless peace overhead that troubles men."
Being no more and no less poet than are all French peasants, this analysis sufficed him. He touched his képi; the young men lifted their hats, and the postman pedaled away down the spotless military road.
Warner glanced at the envelope in his hand; Halkett looked at it, too. It was addressed in red ink.
"It’s for me, old chap," said the Englishman.
Warner laughed and handed him the letter.
"It’s addressed very plainly to me," he said. "You’ve got your nerve with you, Halkett."
"It’s very simple. I sent two telephone messages last night. One letter should have arrived. It has not! The man who wrote this letter must have gone miles last night on a motor cycle to mail it so that your little postman should hand it to me this morning——"
"Intriguer!" interrupted Warner, still laughing. "He handed it to _me_! I see you’re going to get me in Dutch before I’m rid of you."
"I don’t comprehend your Yankee slang," retorted Halkett with a slight grin, "so if you don’t mind I’ll sit here on the grass and read my letter. Go on and criticize your Harem. But before you go, lend me a pencil. They stole even my pencil in the Cabaret de Biribi."
Warner, amused, handed him a pencil and a pad, and strolled away toward the industrious Harem to see what they might be perpetrating.
Halkett seated himself on the grass where, if he chose to glance up, he had a clear view all about him. Then he opened his letter.
It was rather an odd sort of letter. It began:
A red wagon, red seat, orange rumble, red mudguards, blue steering-wheel, red bumpers, blue wheels, red engines, red varnish, red open body, red machinery, red all over, in fact, except where it isn’t—is for sale.