Some of the best illustrations of functional heredity, are furnished by mental characteristics. Certain powers which mankind have gained in the course of civilization cannot, I think, be accounted for without admitting the inheritance of acquired modifications. The musical faculty is one of these. To say that "natural selection" has developed it by preserving the most musically endowed, seems an inadequate explanation. Even now that the development and prevalence of the faculty have made music an occupation by which the most musical can get sustenance and bring up families; it is very questionable whether, taking the musical career as a whole, it has any advantage over other careers in the struggle for existence and multiplication. Still more if we look back to those early stages through which the faculty must have passed before definite perception of melody was arrived at, we fail to see how those possessing the rudimentary faculty in a somewhat greater degree than the rest, would thereby be enabled the better to maintain themselves and their children. There is no explanation but that the habitual association of certain cadences of speech with certain emotions, has slowly established in the race an organized and inherited connection between such cadences and such emotions; that the combination of such cadences, more or less idealized, which constitutes melody, has all along had a meaning in the average mind, only because of the meaning which cadences had acquired in the average mind; and that by the continual hearing and practice of melody there has been gained and transmitted an increasing musical sensibility. Confirmation of this view may be drawn from individual cases. Grant that among a people endowed with musical faculty to a certain degree, spontaneous variation will occasionally produce men possessing it in a higher degree; it cannot be granted that spontaneous variation accounts for the frequent production, by such highly-endowed men, of men still more highly endowed. On the average, the children of marriages with others not similarly endowed, will be less distinguished rather than more distinguished. The most that can be expected is that this unusual amount of faculty shall re-appear in the next generation undiminished. How then shall we explain cases like those of Bach, Mozart, and Beethoven, all of them sons of men having unusual musical powers who were constantly exercising those powers, and who greatly excelled their fathers in their musical powers? What shall we say to the facts that Haydn was the son of an organist, that Hummel was born to a music master, and that Weber's father was a distinguished violinist? The occurrence of so many cases in one nation within a short period of time, cannot rationally be ascribed to the coincidence of "spontaneous variations." It can be ascribed to nothing but inherited developments of structure caused by augmentations of function.