"The pale man, with the greenish complexion, said to the man with the guitar, 'It's he, all right, because of the burn in the palm of his hand.'"

Julot choked back an oath, and instinctively clenched his fist, but Ernestine already had moved on and was huskily chaffing the young man with the budding beard. Julot sat with sombre face and angry eyes, only replying in curt monosyllables to the occasional remarks of his next neighbour, Billy Tom. Marie, the waitress, was passing near him and he signed to her to stop.

Fantômas — Part 131

"Say, Marie," he said, nodding towards the window that was behind him, "what does that window open on to?"

Fantômas — Part 131

"On to the cellar," she said; "this hall is in the basement."

Fantômas — Part 131

"And the cellar," Julot went on; "how do you get out of that?"

"You can't," the servant answered; "there's no door; you have to come through here."

Momentarily becoming more uneasy, Julot scrutinised the long tunnel of a room at the extreme end of which he was sitting; there was only one means of egress, up the narrow corkscrew staircase leading to the ground-floor, and at the very foot of that staircase was the table occupied by the green man and the man with the guitar.

A plate aimed by Hogshead Geoffroy at Mealy Benoît crashed against the opposite wall. Everyone jumped to his feet, the women screaming, the men swearing. The two market porters stood confronting one another, Hogshead Geoffroy brandishing a chair, Benoît trying to wrench the marble top from a table to serve as a weapon. The mêlée became general, plates smashing on the floor, and dinner things flying towards the ceiling.

Suddenly a shot rang out, but quickly though it had been fired, the green man and the man with the guitar had seen who fired it. For the last few minutes, indeed, these two mysterious individuals had never taken their eyes off Julot.

Julot, whom Berthe had supposed from his appearance to be an honest cattle-drover, was undoubtedly a wonderful shot. Having observed that the room was lighted by a single chandelier composed of three electric lamps, and that the current was supplied by only two wires running along the cornice, Julot had taken aim at the wires and cut them clean in two with a single shot!

Immediately following upon the shot, the room was plunged into absolute darkness. A perfectly incredible uproar ensued, men and women struggling together and shouting and trampling one another down, and crockery and dinner things crashing down from the side-boards and tables on to the floor.