After the Romans, the city was ruled by Christian princes up to the day of Charlemagne. Before the tenth century, the first Christian church in Chartres was burned down, and very little of the pristine fabric was spared by the flames.
The pious Saint Bernard preached here, and many illustrious bishops presided over the see. Henry V. of England came to the city; and so did Mary of Scotland. There have been two or three notable sieges, and the city was a scene of slaughter during the great Revolution.
The legends surrounding the first building consecrated to the Christian faith in Chartres are numerous. Saint Aventin was probably the first bishop of the see. Fulbert, who received tribute from a number of monarchs, was the founder of the new cathedral, after the wreckage by fire about the year 1021. There were two or three attacks from fire, for Fulbert's structure was seriously damaged in the twelfth century.
The crypt is part of a very early building. In the chapels are bare traces of the old mural paintings, and several remarkable remains of the more ancient edifice. The crypt forms a church in itself, for it contains no less than fourteen chapels.
There are several points of difference between the early Gothic styles of England and France, and height is a characteristic of the French cathedrals; the architects delighted in lofty vaultings, and seemed to vie with one another in attaining great height. Double aisles and double flying buttresses are other features of the French Gothic churches, distinguishing them from the churches of England of the same date.
The French pillars are heavy, and not so highly ornamented as those of England. In the windows we find chiefly in France the lancet; and the circle, with trefoils and quatre-foils, is a common form. Specimens of round windows may be studied to advantage in the Cathedral of Chartres.
The most beautiful examples of early French Gothic architecture, in detail, are the ornate portals, especially of the western façades, the spires, the imposing towers, the rose windows, and the high vaulting.
The west front at Chartres is early twelfth-century work. Few façades present such a bewildering wealth of decoration and of impressive height. The windows are enormous, and the central rose window is remarkably rich in design. Each of the three doorways is full of most interesting statuary, with luxuriant decorations.