Thurso had been in the house all day, and when the move was finished he went down into the room where he and Maud lived, feeling desperately tired, and intending to get an hour's sleep before dinner. But to have an intention, however strong, laudable, and innocent, does not imply that the very best efforts are able to put it into effect; and instead, in this instance, he had no sooner composed himself to sleep than he felt that, though the surface of his brain was drowsy and tired beyond all words, something below was broadly and staringly awake.

He had lain down on the sofa with his face averted from the light and his eyes shut, so as to give the utmost welcome to sleep, but it was not sleep that came, but a series of vivid though unreal images, born of memory. First an interminable series of stretchers, each with its swathed, fever-stricken burden, came up the stairs, and just when he was beginning to feel that this monotonous procession was the precursor of sleep, another image twitched him and claimed his attention. Maud had gone fishing, poaching, yesterday, and had enjoyed good sport; thus the procession of stretchers gave way to the vision of her landing fish after fish, all dead-beat, all silver-sided, till it seemed that this iteration, too, must end in unconsciousness. But something jarred it, and, instead, Catherine stood at the head of the stairs in Thurso House, dressed in rubies, with a sort of "love-in-the-mist" of gold round her, receiving kings and queens, and queens and kings, all in crowns. But that, again, ended, not in slumber, but in something very antagonistic to it. There was just a little stab--it was hardly pain--inside his head, as remote as the sound of an electric bell in the basement. Then it was repeated, but this time louder and more insistently, as if the ringer, on the one hand, was impatient, and as if the bell was beginning to come up the back-stairs. Then--it was right to call it pain now--the sound grew louder, and the finger pressed the bell more firmly, while the bell itself came closer. He was quite wide awake now, surface of brain and secret cells alike, and he opened his eyes. Then he said out loud:

The House of Defence v. 1 — Part 45

That seemed to be the case, for the prediction began to be instantly fulfilled. The half-drowsy similitude of the electric bell vanished, and instead there was pain--clear, clean pain. It stabbed half a dozen times with a firm, practised touch, as a pianist strikes a chord or two before he begins his piece. Then it paused for a moment. Immediately afterwards it began again, but differently. Instead of stabbing at the nerve, it laid a cold, steady finger on it, and that finger grew quietly steadier and colder, till something inside his head seemed to ring with it, as a musical glass rings when it is adroitly stroked. Then came a brilliant passage of all sorts of pain, as if the orchestra had begun to accompany that masterly solo. Then, as the horn holds a long, lazy, piercing note, pain pierced and dwelt in him, while wonderful arpeggios of torture from neighbouring nerves crossed it. That was the prelude.

The House of Defence v. 1 — Part 45