But do what she would, the générale could never cheat Mme. Cléry. The old woman detected a _prétendant_ as a cat does a mouse. It was an instinct with her. There was no putting her off the scent. She never said a word to Mme. de Chanoir, but she had a most aggravating way of making her understand tacitly that she knew all about it--that, in fact, she was not born yesterday. This was her system, whenever M. Dalibouze brought a _parti_ to tea in the evening. Mme. Cléry was seized next day with a furious dusting fit, and when the générale testified against the feathers that kept flying out of the broom, Mme. Cléry would observe, in a significant way:
"Mme. la Générale, that makes an impression when one sees a salon well dusted; that proves that the servant is capable--that she attends to her work. Madame does not think of those things, but strangers do."
It became at length a sort of cabalistic ceremony with the old woman; intelligible only to Mme. de Chanoir. If Aline came in when the fit was on her, and ventured to expostulate, and ask what she was doing with the duster at that time of day, Mme. Cléry would remark stiffly: "Mamzelle Aline, I am dusting." Aline came at last to believe that it was a modified phase of S. Vitus' dance, and that for want of anything better the old beldame vented her nerves on imaginary dust which she pursued in holes and corners with her feathery weapon.
This went on till Mlle. de Lemaque was six-and-twenty. She was still a bright, brave creature, working hard, accepting the privations and toil of her life in a spirit of sunshiny courage. But the sun was no longer always shining. There were days now when he drew behind a cloud--when toil pressed like a burden, and she beat her wings against it, and hated the cage that cooped her in; and she longed not so much for rest or happiness as for freedom--for a larger scope and higher aims, and wider, fuller sympathies. When these cloudy days came around, Aline felt the void of her life with an intensity that amounted at times to anguish; she felt it all the more keenly because she could not speak of it. Mme. de Chanoir would not have understood it. The sisters were sincerely attached to each other, but there was little sympathy of character between them, and on many points they were as little acquainted with each other as the neighbors on the next street. They knew this, and agreed sensibly to keep clear of certain subjects on which they could never meet except to disagree. The younger sister, therefore, when the sky was overcast, and when her spirits flagged, never tried to lean upon the older, but worked against the enemy in silence, denying herself the luxury of complaint. If her looks betrayed her, as was sometimes the case, and prompted Mme. de Chanoir to inquire if there was anything the matter beyond the never-ending annoyance of life in general, Aline's assurance that there was not was invariably followed by the remark: "_Ma soeur_, I wish you were married." To which Aline as invariably replied: "I am happier as I am, Félicité." It was true, or at any rate Mlle. de Lemaque thought it was. Under all her surface indifference she carried a true woman's heart. She had dreamt her dreams of happiness, of tender fireside joys, and the dream was so fair and beautiful that for years it filled her life like a reality, and when she discovered, or fancied she did, that it was all too beautiful to be anything but a dream, that the hero of her young imagination would never cross her path in the form of a mortal husband, Aline accepted the discovery with a sigh, but without repining, and laid aside all thought of marriage as a guest that was not for her. As to the marriages that she saw every day around her, she would no more have bound herself in one of them than she would have sold herself to an Eastern pasha. Marriage was a very different thing in her eyes from what it was in Mme. de Chanoir's. There was no point on which the sisters were more asunder than on this, and Aline understood it so well that she avoided touching on it except in jest. Whenever the subject was introduced, she drew a mask of frivolity over her real feelings to avoid bringing down the générale's ridicule on what she would stigmatize as preposterous sentimentality.