The whole city blossoms with statuary, like a cosmopolitan 'Arriet who cannot get enough flowers and feathers on her Sunday hat. A certain comic anthropomorphism is to be seen, even on the balustrades of the castle, where the good Emperor William is posed as Jupiter, the Empress Augusta as Juno, Emperor Frederick as Mars, and his wife as Minerva! On the façades of houses, on the bridges, on the roofs of apartment houses, on the hotels even, and scattered throughout the public gardens, are scores of statues, and they are for the most part what hastily ordered, swiftly completed art, born of the dollar instead of the pain and travail of love and imagination, must always be.
A certain literary snob taken to task by Doctor Parr for pronouncing the one-time capital of Egypt "Alexandria," with the accent on the long i, quoted the authority of Doctor Bentley. "Doctor Bentley and I," replied Doctor Parr, "may call it 'Alexandria,' but I should advise you to call it 'Alexandria.'" It was all very well for the Medici, to ornament their cities and their homes with the fruit of the great artistic springtime of the world, but I should strongly advise the Berliners to pronounce it "Alexandria" for some years to come. No matter how fervid the lover, nor how possessed he may be by his mistress, he cannot turn out every day, even,
"A halting sonnet of his own poor brain, Fashion'd to Beatrice."
All this pretentious over-ornamentation is cosmeticism, the powder and paint of the vulgarian striving to conceal by a futile advertisement her lack of refinement. Paris was teaching the world when there was no capital in Germany; London has been a commercial centre for a thousand years, and Oxford was a hundred years old before even the University of Prague, the first in Germany, was founded by Charles IV in 1348. You may like or dislike these cities, but, at any rate, they have a bouquet; Berlin has none.
When Germany deals with the inanimate and amenable factors of life, she brings the machinery of modern civilization well-nigh to the point of perfection. As a municipal and national housewife she has no equal, none. But art has nothing to do with brooms and dust-pans, and human nature is woven of surprises and emergencies, and what then? An interesting example in the streets of Berlin is the difference between the perfection of the street-cleaning, which deals with the inanimate and with accurately calculable factors, and the governing of the street traffic. Horses and men and motor-driven vehicles are not as dependable as blocks of pavement. When the traffic in the Berlin streets grows to the proportions of London, Paris, and New York, one wonders what will happen. Nowhere are there such broad, well-kept streets in which the traffic is so awkwardly handled.