Curiosity prompted me to follow--I caught a glimpse of the bright backs of my boots as they flashed round the corner of a neighbouring street. Pursuing them, I surveyed the wearer; and now perceived that not even those incomparable Hessians could transform a satyr into Hyperion, or convert a vulgar strut into the walk of a gentleman. Those boots were never made for such limbs--never meant to be "sported" after so villanous a fashion. You could see that his calves were indifferently padded, and might have sworn the swaggerer was a swell blackleg--one of the shabby-genteel, and visibly-broken-down class. Accordingly, after a turn or two, it was anything but surprising to see him squeeze himself into a narrow passage over the door of which was written the word "Billiards." I heard my boots tramping up the dingy staircase to which the passage led--and my feet, as though from sympathy, and what the philosopher calls the "eternal fitness of things," were moving after them--when the "_cui bono?_" forcibly occurred to my mind! If I should demand my Hessians, was there a probability of obtaining them? and if I should obtain them, was there a possibility of my ever wearing them again? Could I think of treading in the boots of a blackleg, albeit they never were his own? No, I gave them up to the profanation which was their destiny. I called up Hamlet's reflection on the vile uses to which we may return; and as for the gambler, who in once virtuous boots threaded the paths of vice and depravity, I kicked him--"with my mind's toe, Horatio"--and passed on.

Shakspeare, in one of the most touching and beautiful of his sonnets, tells us how he bemoaned his outcast state,

George Cruikshank's Omnibus — Part 13

"And troubled deaf heaven with his bootless cries;"

George Cruikshank's Omnibus — Part 13

but with no such cries of mine is the reader doomed to be troubled. Indeed, when I parted from my Hessians on the occasion referred to, I never dreamed of mentioning them more. I had heard, as it seemed, their last creak. Not only were they out of sight, but out of mind. It appeared just as likely that I should ever again be excited on their account, as that I should hang them up à-la-General-Bombastes, and make war upon their adventurous displacer. Yet it was not three months after the event recorded, that in the city, in broad-daylight, my hat was all but lifted off by the sudden insurrection of my hair, on recognising my boots again. Yes, the very boots that once were mine, "_et nullus error!_" or, as we say in English, "and no mistake!" As easily to be identified were they as the freckled, wrinkled, shrunken features of a beloved friend, parted from in plump youth. I knew my boots, if I may so say, by their _expression_. Altered as they were, to me were they the same:--"alike, but oh! how different."

George Cruikshank's Omnibus — Part 13