They started. There was a tinkle of keys, and through a small opposite doorway they discerned the last flash of the mousseline, the pale, jonquil-colored, blackspotted.
The Nephew readjusted his collar. A subdued cortège reascended.
The ivory orchestra lost itself in gay fatalistic improvisation; the opulence of two hundred over-fed tetrarchal Dining-Companions swished in the Evening salon, and overflowed coruscated couches. They slithered through their genuflections to the throne. The princes puffed out their elbows, simultaneously attempting to disentangle their Collars-of-the-Fleece in the idea that these would be a suitable present for their entertainer. Neither succeeded; suddenly in the midst of the so elaborate setting they perceived the æsthetic nullity of the ornament, its connotations were too complex to go into.
The tetrarchal children (superb productions, in the strictly esoteric sense) were led in over the jonquil-colored reed-matting. A water-jet shot up from the centre of the great table, and fell plashing above on the red and white rubber awning. A worn entertainment beset the diminutive music-hall stage: acrobats, flower-dancers, contortionists, comic wrestlers, to save the guests conversation. A trick skater was brought in on real ice, did the split, engraved a gothic cathedral. The Virgin Serpent as she was called, entered singing "Biblis, Biblis"; she was followed by a symbolic Mask of the Graces; which gave place to trapeze virtuosi.
An horizontal geyser of petals was shot over the auditorium. The hookahs were brought in. Jao presumably heard all this over his head. The diners' talk became general, the princes supporting the army, authority, religion a bulwark of the state, international arbitration, the perfectibility of the race; the mandarins of the palace held for the neutralization of contacts, initiated cénacles, frugality and segregation.
The music alone carried on the esoteric undertone, silence spread with great feathers, poised hawk-wise. Salome appeared on the high landing, descended the twisted stair, still stiff in her sheath of mousseline; a small ebony lyre dangled by a gilt cord from her wrist; she nodded to her parent; paused before the Alcazar curtain, balancing, swaying on her anæmic pigeon-toed little feet--until every one had had a good look at her. She looked at no one in particular; her hair dusty with exiguous pollens curled down over her narrow shoulders, ruffled over her forehead, with stems of yellow flowers twisted into it. From the dorsal joist of her bodice, from a sort of pearl matrix socket there rose a peacock tail, moire, azure, glittering with shot emerald: an halo for her marble-white face.