<b>COUDERT, AMALIA KÜSSNER.</b> Born in Terre Haute, Indiana. This distinguished miniaturist writes me that she "never studied." Like Topsy, she must have "growed." By whatever method they are produced or by whatever means the artist in her has been evolved, her pictures would seem to prove that study of a most intelligent order has done its part in her development.

She has executed miniature portraits of the Czar and Czarina of Russia, the Grand Duchess Vladimir, King Edward VII., the late Cecil Rhodes, many English ladies of rank, and a great number of the beautiful and fashionable women of America.

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. — Part 83

<b>COUTAN-MONTORGUEIL, MME. LAURE MARTIN.</b> Honorable mention, Salon des Artistes Français, 1894. Born at Dun-sur-Auron, Cher. Pupil of Alfred Boucher.

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. — Part 83

This sculptor has executed the monument to André Gill, Père Lachaise; that of the Poet Moreau, in the cemetery Montparnasse; bust of Taglioni, in the foyer of the Grand Opera House, Paris; bust of the astronomer Leverrier, at the Institute, Paris; a statue, "The Spring," Museum of Bourges; "Sirius," in the Palais of the Governor of Algiers. Also busts of Prince Napoleon, General Boulanger, the Countess de Choiseul, the Countess de Vogué, and numerous statuettes and other compositions.

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. — Part 83

At the Salon, Artistes Français, 1903, she exhibited "Fortune" and "A Statuette."

<b>COWLES, GENEVIEVE ALMEDA.</b> Member of the Woman's Art Club, New York; Club of Women Art Workers, New York; and the Paint and Clay Club of New Haven. Born in Farmington, Connecticut, 1871. Pupil of Robert Brandagee; of the Cowles Art School, Boston; and of Professor Niemeyer at the Yale Art School.

Together with her twin sister, Maud, this artist has illustrated various magazine articles. Also several books, among which are "The House of the Seven Gables," "Old Virginia," etc.

Miss G. A. Cowles designed a memorial window and a decorative border for the chancel of St. Michael's Church, Brooklyn. Together with her sister, she designed a window in the memory of the Deaconess, Miss Stillman, in Grace Church, New York City. These sisters now execute many windows and other decorative work for churches, and also superintend the making and placing of the windows.

Regarding their work in the Chapel of Christ Church, New Haven, Miss Genevieve Cowles writes me: "These express the Prayer of the Prisoner, the Prayer of the Soul in Darkness, and the Prayer of Old Age. These are paintings of states of the soul and of deep emotions. The paintings are records of human lives and not mere imagination. We study our characters directly from life."