"Et l'ombre qui l'enveloppait laissait deviner encore dans ses yeux clairs et sur sa face camuse l'expressions d'audace craintive et de grâce moqueuse qui y etait profondement empreinte. Nous échangions d'abord des souhaits solennels de bonne santé, de paix et de contentement. . . .
"Tandis qu'il parlait, la lumiere de la lune coulait sur sa barbe en ruisseau d'argent. Le grillon accompagnait du bruissement de ses élytres la voix du conteur, et parfois, aux sons de cette bouche, d'où sortait le plus doux des langages humains, répondait la plainte flutée du crapaud, qui, de l'autre côté de la route, écoutait, amical et craintif."
The beautiful delicacy of that single touch "sur la voie blanche, dans ces nuits transparentes" is characteristic of a thousand others of a similar kind sprinkled among his books, where gentle and whimsical spirits discourse upon God and the Universe.
He has a most exquisite genius for these little chance-accompaniments of such human scenes. "L'Orme du Mail" is full of them; and so is "Les Opinions de M. Jérôme Coignard."
In "Sur la Pierre Blanche" the impish humour of accidental encounter brings forward nothing less than the death of Stephen the Proto-Martyr, as an irrelevant interruption to the amorous pleasures of one of his least attractive philosophers.
Full of malicious interest as he is in all the outward events of nations and societies, it is always evident that what Anatole France really regards as worthy of tender consideration is the conversation of quaint minds and the "Humeur riante et facile" of wayward and fantastic souls.
His sense of the fundamental futility of the whole scheme of things is so absolute that what most modern writers would regard as the illogical dreams of superannuated eccentrics he is inclined to treat with smiling reverence and infinite sympathy. Where the whole terrestrial business is only a meaningless blur upon the face of nothingness, why should we not linger by the way, under elm trees, or upon broken fragments of old temples, or on sunny benches in cloistered gardens, and listen to the arbitrary fancies of unpractical and incompetent persons whose countenances express an "audace craintive" and a "grâce moqueuse," and who look with mild wonder and peaceful astonishment at "les choses de la nuit"?