Church has always, in Latin countries, been the scene of a good deal of quiet flirtation, and I remember one Sunday morning, in the Cathedral of Havana, being initiated by a friend into the mysteries of fan language. We watched an extremely good-looking and richly apparelled young lady, who, after she had said her preliminary devotions, looked round her as if seeking somebody. Presently she opened her fan very wide, which, as the Cuban who was with us at the time assured us, meant "I see you." Then she half closed it; this indicated "Come and see me." Four fingers were next placed upon the upper half of the closed fan, signifying, "At half-past four." The fan was next dropped upon the floor, which, we were told, signified the fact that the lady would be alone. A Havanese lady, who is expert in this system of signalling, can talk by the hour with the help of her fan, and of a bunch of variously coloured flowers, each of which has some special meaning.

Amongst so pleasure-loving a people as the Cubans, public amusements hold a far more prominent place than they do in any of the United States, with, perhaps, the sole exception of New Orleans, and the carnival at Havana was at one time the most brilliant in the Americas. For many years, however, its glories have been declining, and during the last few decades the upper and middle classes have taken scant part in the festivities. I can remember, however, many years ago, seeing the famous ribbon dance performed by people of quality in the open streets. A gaily-dressed youth walked in front of the company, holding a pole, from which floated a number of coloured ribbons, which the various couples held in their hands, and threaded into a kind of plait as they moved gracefully round the leader of this _al fresco_ cotillon. It was a very pretty sight to see hundreds of masqueraders parading the streets, engaged in this graceful pastime, and each band accompanied by a group of musicians. Throughout the carnival the negroes are allowed to mingle with the white population in all festivities, and even in the great gala procession of carriages, which passes round the gaily decorated city during three successive afternoons, the negroes' donkey tandems and brilliantly draped waggons are permitted to take their places among the equipages of their masters. The negroes formerly went about the streets masked and disguised, and as they formed one-third of the population, there was no lack of variety of costume, but neither bon-bons nor flower throwing had any place in this somewhat formal pageant. The Cubans evidently do not appreciate cut blossoms, for you rarely, if ever, see a bouquet in their houses, although their gardens simply blaze with every sort of flowers.

Cuba Past and Present — Part 64