II. If we might place unhesitating faith in the authenticity of the dialogue attributed to Plato under the title of “Hipparchus,” we should have, indeed, high authority in favour of the virtues and the wisdom of that prince. And by whomsoever the dialogue was written, it refers to facts, in the passage relative to the son of Pisistratus, in a manner sufficiently positive to induce us to regard that portion of it with some deference. According to the author, we learn that Hipparchus, passionately attached to letters, brought Anacreon to Athens, and lived familiarly with Simonides. He seems to have been inspired with the ambition of a moralist, and distributed Hermae, or stone busts of Mercury, about the city and the public roads, which, while answering a similar purpose to our mile-stones, arrested the eye of the passenger with pithy and laconic apothegms in verse; such as, “Do not deceive your friend,” and “Persevere in affection to justice;”--proofs rather of the simplicity than the wisdom of the prince. It is not by writing the decalogue upon mile-stones that the robber would be terrified, or the adulterer converted.

It seems that the apothegmatical Hipparchus did not associate with Anacreon more from sympathy with his genius than inclination to the subjects to which it was devoted. He was addicted to pleasure; nor did he confine its pursuits to the more legitimate objects of sensual affection. Harmodius, a young citizen of no exalted rank, but much personal beauty, incurred the affront of his addresses [238]. Harmodius, in resentment, confided the overtures of the moralist to his friend and preceptor, Aristogiton. While the two were brooding over the outrage, Hipparchus, in revenge for the disdain of Harmodius, put a public insult upon the sister of that citizen, a young maiden. She received a summons to attend some public procession, as bearer of one of the sacred vessels: on presenting herself she was abruptly rejected, with the rude assertion that she never could have been honoured with an invitation of which she was unworthy. This affront rankled deeply in the heart of Harmodius, but still more in that of the friendly Aristogiton, and they now finally resolved upon revenge. At the solemn festival of Panathenaea, (in honour of Minerva), it was the custom for many of the citizens to carry arms in the procession: for this occasion they reserved the blow. They intrusted their designs to few, believing that if once the attempt was begun the people would catch the contagion, and rush spontaneously to the assertion of their freedom. The festival arrived. Bent against the elder tyrant, perhaps from nobler motives than those which urged them against Hipparchus [239], each armed with a dagger concealed in the sacred myrtle bough which was borne by those who joined the procession, the conspirators advanced to the spot in the suburbs where Hippias was directing the order of the ceremonial. To their dismay, they perceived him conversing familiarly with one of their own partisans, and immediately suspected that to be the treason of their friend which in reality was the frankness of the affable prince. Struck with fear, they renounced their attempt upon Hippias, suddenly retreated to the city, and, meeting with Hipparchus, rushed upon him, wounded, and slew him. Aristogiton turned to fly--he escaped the guards, but was afterward seized, and “not mildly treated” [240] by the tyrant. Such is the phrase of Thucydides, which, if we may take the interpretation of Justin and the later writers, means that, contrary to the law, he was put to the torture [241]. Harmodius was slain upon the spot. The news of his brother’s death was brought to Hippias. With an admirable sagacity and presence of mind, he repaired, not to the place of the assassination, but towards the procession itself, rightly judging that the conspiracy had only broken out in part. As yet the news of the death of Hipparchus had not reached the more distant conspirators in the procession, and Hippias betrayed not in the calmness of his countenance any signs of his sorrow or his fears. He approached the procession, and with a composed voice commanded them to deposite their arms, and file off towards a place which he indicated. They obeyed the order, imagining he had something to communicate to them. Then turning to his guards, Hippias bade them seize the weapons thus deposited, and he himself selected from the procession all whom he had reason to suspect, or on whose persons a dagger was found, for it was only with the open weapons of spear and shield that the procession was lawfully to be made. Thus rose and thus terminated that conspiracy which gave to the noblest verse and the most enduring veneration the names of Harmodius and Aristogiton. [242]

Athens: Its Rise and Fall, Complete — Part 140