.—Of his Picture surmounted by a Cross and having beneath it a Dragon.

besides this, he caused to be painted on a lofty tablet, and set

up in the front of the portico of his palace, so as to be visible to

all, a representation of the salutary sign placed above his head, and

below it that hateful and savage adversary of mankind, who by means of

the tyranny of the ungodly had wasted the Church of God, falling

headlong, under the form of a dragon, to the abyss of destruction. For

the sacred oracles in the books of God’s prophets have described

him as a dragon and a crooked serpent; and for this reason the emperor thus

publicly displayed a painted resemblance of

the dragon beneath his own and his children’s feet, stricken

through with a dart, and cast headlong into the depths of the

sea.

Nicene and Post-Nicene Fathers: Series II/Volume I/Constantine/The Life of Constantine/Book III/Chapter 3

In this manner he intended to

represent the secret adversary of the human race, and to indicate that

he was consigned to the gulf of perdition by virtue of the salutary

trophy placed above his head. This allegory, then, was thus conveyed by

means of the colors of a picture: and I am filled with wonder at the

intellectual greatness of the emperor, who as if by divine inspiration

thus expressed what the prophets had foretold concerning this monster, saying that “God would bring his great and strong and terrible sword against the dragon, the flying serpent; and would destroy the dragon that was in the sea.” This it was of which the emperor gave a true and faithful representation in the picture above described.

Nicene and Post-Nicene Fathers: Series II/Volume I/Constantine/The Life of Constantine/Book III/Chapter 3

Footnotes

Nicene and Post-Nicene Fathers: Series II/Volume I/Constantine/The Life of Constantine/Book III/Chapter 3