Mill is following Bentham, and only brings out more clearly the psychological assumptions. A man, he says, acts from the 'same motive' whether he steals five shillings or earns it by a day's labour. The motive, in this sense, regards only one consequence, whereas the 'intention' regards all. The 'motive,' that is, is only one of the motives or a part of the character, and this way of speaking is one of the awkward results of turning 'motives' into 'things.' The obvious answer is that which Mill himself makes to Mackintosh. Mackintosh and Butler, he thinks, personify particular 'appetites.'[603] It is not really the 'conscience' which decides, but the man. That is quite true, and similarly it is the whole man who steals or works, not the 'personified' motive; and it is accordingly from the whole character that we judge. We have to consider the relation of the love of five shillings to the other qualities of industry and honesty. The same view appears in Mill's characteristic dislike of 'sentimentalism.' Wishing to attack Mackintosh's rhetoric about the delight of virtuous feeling, he for once quotes a novel to illustrate this point. When Parson Adams defined charity as a 'generous disposition to relieve the distressed,' Peter Pounce approved; 'it is, as you say, a disposition, and does not so much consist in the act as in the disposition to do it.'[604] When, therefore, Mackintosh says that he finds it difficult to separate the virtue from the act, Mill replies that nothing is easier. The virtue is 'in the act and its consequences'; the feeling a mere removable addition. Apparently he would hold that the good Samaritan and the Pharisee had the same feeling, though it prompted one to relieve the sufferer and the other to relieve himself of the sight of the sufferer. They had, of course, a feeling in common, but a feeling which produced diametrically opposite effects, because entering into totally different combinations.