"We wish nothing better than to do so," we said, to humor him, "for we know you are a very busy man, and we will not keep you a moment longer than is absolutely necessary. Would you like to have all the questions at once, or would you rather study them one after another?"

He said he thought he could better give an undivided mind to each if he had them one at a time, and so we began with the first:

Imaginary Interviews — Part 108

"'1. Would you advise the young story-writer to study the old masters in literature or the stories in the current magazines, in order to meet the demands of the current editors?'"

Imaginary Interviews — Part 108

"Will you read that again?" the author prominently before the public demanded, but when we had read it a second time it seemed only to plunge him deeper into despair. He clutched his revered head with both hands, and but for an opportune baldness would probably have torn his hair. He murmured, huskily, "Do you think you have got it right?"

Imaginary Interviews — Part 108

We avoided the response "Sure thing" by an appropriate circumlocution, and then he thundered back: "How in--nature--is a young writer to forecast the demands of current editors? If an editor is worth his salt--his Attic salt--he does not know himself what he wants, except by the eternal yearning of the editorial soul for something new and good. If he has any other demands, he is not a current editor, he is a stagnant editor. Is it possible that there is a superstition to the contrary?"

"Then that would account for many things. But go on."

"Go on yourself. You have not answered the question."

"Oh, by all means," the author sardonically answered; "if the current editor has demands beyond freshness and goodness, let the young writer avoid the masters in literature and study the stories in the current magazines."

"You are not treating the matter seriously," we expostulated.

"Yes, I am--seriously, sadly, even tragically. I could not have imagined a condition of things so bad, even with the results all round us. Let us have the second question of your correspondent."

"Here it is: '2. Has the unknown writer an equal chance with the well-known author, provided his work is up to the standard of the latter's?'"

"Of the latter's?--of the latter's?--of the latter's?" Our friend whispered the phrase to himself before he groaned out: "What a frightful locution! Really, really, it is more than I can bear!"