[Sidenote: Jack-in-the-Green in England.] In England the best-known example of these leaf-clad mummers is the Jack-in-the-Green, a chimney-sweeper who walks encased in a pyramidal framework of wickerwork, which is covered with holly and ivy, and surmounted by a crown of flowers and ribbons. Thus arrayed he dances on May Day at the head of a troop of chimney-sweeps, who collect pence.[304] The ceremony was witnessed at Cheltenham on the second of May 1892, by Dr. W. H. D. Rouse, who has described in detail the costume of the performers. They were all chimney-sweeps of the town. Jack-in-the-Green or the Bush-carrier was enclosed in a wooden framework on which leaves were fastened so as to make a thick cone about six feet high, topped with a crown, which consisted of two wooden hoops placed crosswise and covered with flowers. The leafy envelope was unbroken except for a single opening through which peered the face of the mummer. From time to time in their progress through the streets the performers halted, and three of them, dressed in red, blue, and yellow respectively, tripped lightly round the leaf-covered man to the inspiring strains of a fiddle and a tin whistle on which two of their comrades with blackened faces discoursed sweet music. The leader of the procession was a clown fantastically clad in a long white pinafore or blouse with coloured fringes and frills, and wearing on his head a beaver hat of the familiar pattern, the crown of which hung loose and was adorned with ribbons and a bird or a bundle of feathers. Large black rings surrounded his eyes, and a red dab over mouth and chin lent a pleasing variety to his countenance. He contributed to the public hilarity by flapping the yellow fringe of his blouse with quaint gestures and occasionally fanning himself languidly. His efforts were seconded by another performer, who wore a red fool’s cap, all stuck with flowers, and a white pinafore enriched with black human figures in front and a black gridiron-like pattern, crossed diagonally by a red bar, at the back. Two boys in white pinafores, with similar figures, or stars, on the breast, and a fish on the back, completed the company. Formerly there used to be a man in woman’s clothes, who personated the clown’s wife.[305] In some parts also of France a young fellow is encased in a wicker framework covered with leaves and is led about.[306] In Frickthal, in the Swiss [Sidenote: The Whitsuntide Basket in Switzerland.] canton of Aargau, a similar frame of basketwork is called the Whitsuntide Basket. As soon as the trees begin to bud, a spot is chosen in the wood, and here the village lads make the frame with all secrecy, lest others should forestall them. Leafy branches are twined round two hoops, one of which rests on the shoulders of the wearer, the other encircles his calves; holes are made for his eyes and mouth; and a large nosegay crowns the whole. In this guise he appears suddenly in the village at the hour of vespers, preceded by three boys blowing on horns made of willow bark. The great object of his supporters is to set up the Whitsuntide Basket on the village well, and to keep it and him there, despite the efforts of the lads from neighbouring villages, who seek to carry off the Whitsuntide Basket and set it up on their own well.[307] In the neighbourhood of Ertingen (Würtemberg) a [Sidenote: The Lazy Man in Würtemberg.] masker of the same sort, known as the Lazy Man (_Latzmann_), goes about the village on Midsummer Day; he is hidden under a great pyramidal or conical frame of wickerwork, ten or twelve feet high, which is completely covered with sprigs of fir. He has a bell which he rings as he goes, and he is attended by a suite of persons dressed up in character—a footman, a colonel, a butcher, an angel, the devil, the doctor, and so on. They march in Indian file and halt before every house, where each of them speaks in character, except the Lazy Man, who says nothing. With what they get by begging from door to door they hold a feast.[308]
Journalism Report
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 02 of 12) — Part 64
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