Vasudevan (15 June 1944 – 20 February 2011), known as Malaysia Vasudevan, was a Malaysian-Indian playback singer and actor in Tamil cinema.
Early life
Malaysia Vasudevan's parents were from Palakkad. Chattu Nair of Ottappalam and Ammalu of Polpulli, along with their families migrated to British Malaya in search of a livelihood. After a few years, Chattu Nair married Ammalu in an arranged marriage. Vasudevan was born on 15 June 1944 as their eighth and youngest child. Even though he was a Malayali, as was the case with the majority of contemporary South Indian migrants to Malaya then, his surroundings in Malaysia was dominated by the Tamil language and culture. As such, Tamil became his language of choice, at school and at home.
Chattu Nair was musically inclined and all his children grew up with a natural ability to sing and appreciate music. Malaysia Vasudevan had once said that all his family members, except his mother Ammalu, were singers. Chattu Nair used to entertain the estate labourers by singing. He first started learning music from his father and later on, his brother taught him. Vasudevan started singing on stage when he was eight. Vasudevan was also interested in acting.
When Vasudevan grew up, he attached himself to Tamil drama troupes in Malaysia as an actor and singer. The producers of one of his plays Ratha Paei, wanted to make it into a film. Vasudevan came with the group to Chennai and acted in the film Raththa Paei. He even sang a song for the film under the baton of G. K. Venkatesh, for whom Ilaiyaraaja was working as the assistant.
Professional career
Playback singer
Malaysia Vasudevan's first major song was in the film Delhi to Madras, that starred Jaishankar and Srividya. It was a comedy song "Paalu Vikkira Padma Un Paalu Romba Suthhama?", for the music director V. Kumar. This chance was made possible by his friendship with the film's producer Pollachi Rathnam. After that, he joined the Pavalar Brothers troupe which was run by Ilaiyaraaja and his brothers.
During a stage performance, music director M. S. Viswanathan heard Vasudevan and gave him a small piece of a song in Bharatha Vilas (he sang for the Punjabi in "Indhiya Naadu En Veedu") and then a song in Thalai Prasavam. His first big break came when Kunnakudi Vaidyanathan made him sing "Kaalam Seyyum Vilaiyattu" in Kumasthavin Magal. Vasudevan was rechristened Malaysia Vasudevan by A. P. Nagarajan in this film.
Later, when his good friend Ilaiyaraaja debuted in the Tamil film industry with Annakili, he was asked to sing in the film, and after "Aattukutti Muttai Ittu" from 16 Vayathinile happened, Malaysia Vasudevan never looked back. Ilaiyaraaja backed him until he became a star singer.
Malaysia Vasudevan has sung close to 8,000 songs in his career spanning three decades, most for Ilaiyaraaja. Illayaraja made Malaysia Vasudevan sing songs of all types and genres. Malaysia Vasudevan performed each song with utmost sincerity and surprised everyone with the range he had.
Soft romantic songs like "Indha Minminikku" (Sigappu Rojakkal), "Vaan Megangalay" (Pudhiya Varpugal), "Malargale Nadha Swarangal" (Kizhake Pogum Rayil), "Malargalilay Aaraadhanai" (Karumbu Vil), "Kodai Kaala Kaatray" (Panneer Pushpangal), "Poove Ilaya Poove" (Kozhi Koovuthu), "Thangachangili Minnum Painkili" (Thooral Ninnu Pochchu), etc. must be some of the timeless favourites of Tamil film music lovers.
Even under the baton of M. S. Viswanathan, Malaysia Vasudevan sang many illustrious songs. "Ezhudhugiral Oru Pudhukkavithai" (Saranaalayam), "Enniyirundhadhu Eadera" (Andha 7 Naatkal) and the super-hits from Billa are just a few examples.
Sensuous songs like "Kanna Thorakkanum Saami", or "Nila Kaayudhu" and emotional songs like "Oru Thanga Rathathhil" (Dharma Yuddham), "Allithhandha Bhoomi Annai Allava" (Nandu), "Adi Aadu Poongodiye" (Kali), "Vaa Vaa Vasanthamey" (Puthu Kavithai), "Pattuvanna Rosavam" (Kannipparuvathile) and "Ponmaana Thedi Naanum Poovodu" (Enga Oor Rasathi) all came easily to Vasudevan and succeeded in showing some other brilliant facets of the wonderful singer. His largely folksy tunes sung for Shankar–Ganesh are also of inimitable class. In the nineties, he got to sing a few, but most of them sensuous hits, for A. R. Rahman, including "Then Kizhakku" (Kizhakku Cheemayile) and "Monalisa Monalisa" (Mr. Romeo). The famous song "Poo Pookum Osai" (Minsara Kanavu) featured Vasudevan's voice in the chorus part.
