(_ββ_) Moreover, in much the same way that each individual example of this heroic type of _personality_ persists in immediate unity with all that he may will, act, and accomplish, a similar unity is further maintained in all the consequences which flow from such initiative. When we ourselves, on the contrary, act or estimate a particular action, we assume that only full responsibility can attach where the individual under consideration is in complete possession of the true nature of his action and its attendant circumstances. If the content of those surrounding conditions is otherwise than that which is present to the agent's consciousness in such a case a man nowadays will not take upon himself the burden of all that is implied in his action. He will thrust on one side that part of it which he would not have done had he known completely or not misconceived the circumstances, and he only accepts that which was fully under his cognisance and carried out with deliberate intention in conformity thereto. The heroic character makes no such distinction. He adheres simply to all the consequences and makes good his personal responsibility for the whole. Œdipus on his way to consult the oracle meets a certain man, quarrels with him and strikes him. In those days such an act was not a crime at all. He only returned a blow after being vigorously attacked. But the stranger was his father. Œdipus further marries a royal lady. His wife is his mother. Without knowing it he commits an act of shame. On learning the truth he acknowledges such enormities to their full extent, inflicts a punishment on himself as murderer of his father and a man of incest, and this although he was entirely ignorant of the true nature of these acts, or had any intention of doing them. The self-reliant stubbornness and entirety of the heroic character refuses to parcel out responsibility and knows nothing of such distinctions as personal intention and the objective act and its consequences. In the evolution and ramification of an action as we moderns regard it these opposed points of view constantly recur, and guilt is thrown into the background as far as possible. No doubt our view of the matter is more in accordance with _ethical principle_, in so far as the condition of a personal knowledge of the particular circumstances, or the consciousness of an object good in itself, in short, generally the intent of an act, is what materially assists us in our judgment. But in the heroic age, where we find the individual essentially indivisible and the objective act proceeding from himself as entirely his own, each person claims absolutely all that he may do, and refuses to surrender one jot or tittle of responsibility therefor.
Suburbs Digest
The Philosophy of Fine Art, volume 1 (of 4) — Part 190
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