Basil Woore Coleman (22 November 1916 – 19 March 2013) was an English producer, director, and actor. He was a prolific director of opera, stage plays, and television productions, known for his 1977 BBC television adaption of Anna Karenina and his involvement with the first productions of several operas by Benjamin Britten, including The Turn of the Screw (1954), Gloriana (1953), Billy Budd (1951), and The Little Sweep (1949).
Early life and education
Coleman was born in Bristol on 22 November 1916 to Sydney James Coleman and Mabel Evans. In December 1916, Coleman's parents returned with their newborn son to their home in Salisbury, Rhodesia (now Harare, Zimbabwe). On 23 October 1918, five weeks after the birth of Coleman's brother, Kenneth, Mabel Evans died of Spanish Influenza. When Coleman was three years old, his family was joined by his stepmother, Gwen Givern Chambers, a dedicated pacifist, suffragette, and vegetarian who educated Coleman, his brother, and later his half-sisters Elizabeth and Naomi for much of their early lives.
In 1924, the family moved to Bulawayo, where Coleman's stepmother fostered his ambition to become an actor, producing a number of plays and concerts in which Coleman and his siblings acted. In 1931, aged fifteen, Coleman attended Frensham Heights School in Surrey, along with his brother, then continued his studies at the Central Drama School at the University of London, receiving his Diploma in Dramatic Arts in 1936.
Career
Coleman continued his training as an actor under Esme Church at the Old Vic Company, performing in various productions as part of the 1936–1937 season, including Hamlet, Henry V, Man and Superman, and The Country Wife, and received a letter of recommendation from Church and producer Tyrone Guthrie in 1937. In 1938, on loan from the Old Vic Company, Coleman played the Geoffrey Longman in James Courage's Private History at The Gate Theatre Studio. In February 1939, Coleman joined the Old Vic Company on a tour of Italy, Greece, Malta, Portugal, and Egypt, under the auspices of the British Council.
Upon his return to England, Coleman was a conscientious objector during the Second World War, initially being sent to work on fruit farms in Sussex before being enlisted by Ruth Spalding's Pilgrim Players as an actor to tour churches and village halls performing morality plays.
Coleman then rejoined The Old Vic Company as an actor, whilst also developing as a director with the encouragement of Tyrone Guthrie. After the war, Coleman began directing productions at the Midland Theatre Company, and in 1948, Coleman worked as assistant director to Tyrone Guthrie on composer Benjamin Britten's realisation of The Beggar's Opera with the English Opera Group at the Arts Theatre, Cambridge. This began Coleman's association and friendship with Britten; in 1949, Coleman directed the first production of Britten's Let's Make an Opera! at the Jubilee Hall in Aldeburgh. In 1951, Coleman directed the first production of Britten's Billy Budd at the Royal Opera House, followed by the first production of Britten's Gloriana in 1953. In 1954, Coleman directed the world premiere of Britten's The Turn of the Screw at the Teatro La Fenice, Venice.
From 1954, Coleman began work at the Crest Theatre, Toronto, directing productions including Orson Welles' Marching Song and T.S Eliot's The Confidential Clerk. Coleman continued his international directing work with productions of Britten's A Midsummer Night's Dream at the War Memorial Opera House, San Francisco in 1961 and at Teatro Colón, Buenos Aires, in 1962. After a time directing teleplays for Canada's CBC, he returned to Britain. He directed Britten's Peter Grimes at London's Sadler's Wells Theatre in 1963.
After taking a BBC directing course, Coleman directed a string of television operas, including Britten's Billy Budd in 1966, for which Coleman received a 'Specialised Programme' BAFTA Award. Coleman also directed television films of Puccini's La Bohème in 1966, Tchaikovsky's Eugene Onegin in 1967, Verdi's Otello in 1969 and Falstaff in 1972, and Donizetti's Don Pasquale in 1973. Coleman's television version of Manuel de Falla's La Vida Breve in October 1968 was the first such broadcast in colour.