Alexander Nevsky () is a 1938 Soviet historical drama film directed by Sergei Eisenstein. It depicts the attempted invasion of Novgorod in the 13th century by the Teutonic Knights of the Holy Roman Empire and their defeat by Prince Alexander, known popularly as Alexander Nevsky (1220–1263).

Eisenstein made the film in association with Dmitri Vasilyev and with a script co-written with Pyotr Pavlenko; they were assigned to ensure that Eisenstein did not stray into "formalism" and to facilitate shooting on a reasonable timetable. It was produced by Goskino via the Mosfilm production unit, with Nikolai Cherkasov in the title role and a musical score by Sergei Prokofiev. Alexander Nevsky was the first and most popular of Eisenstein's three sound films. Eisenstein, Pavlenko, Cherkasov and Abrikosov were awarded the Stalin Prize in 1941 for the film.

Alexander Nevsky (film)

In 1978, the film was included in the world's 100 best motion pictures according to an opinion poll conducted by the Italian publishing house Arnoldo Mondadori Editore.

Alexander Nevsky (film)

Russia Beyond considers the film one of the 10 best Russian war films.

Alexander Nevsky (film)

Plot

An army of the Teutonic Order invades and conquers the city of Pskov with the help of the traitor Tverdilo, and massacres its population. Despite resistance from the boyars and merchants of Novgorod (urged on by the monk Ananias, Tverdilo's henchman), an appeal is made to Alexander Yaroslavich Nevsky, to again become their prince and defend Novgorod. To do so he rallies the common people of the Novgorod area. In the decisive Battle of the Ice, on the surface of frozen Lake Chudskoe, the Teutonic forces are defeated. Pskov is retaken, and there Nevsky passes judgment: the Teutonic foot-soldiers are set free, the surviving Teutonic knights will be held for ransom. Tverdilo the traitor, together with a Catholic priest who blessed the burning of Pskov children, disappear as they are mobbed by the onlookers.

A subplot throughout is the rivalry and friendship of Vasili Buslai and Gavrilo Oleksich, two famous (and historic) warriors of Novgorod. Both become commanders of the Novgorod forces, and are engaged in a contest of courage and fighting skill in order to decide which will win the hand of Olga Danilovna, a Novgorod maiden whom both are courting.

At the same time Vasilisa, daughter of a boyar of Pskov killed by the Teutons, joins the Novgorod forces as a soldier. She and Vasili wind up fighting side by side; she throws him a weapon when he is surrounded and weaponless, and it is she who finds and slays the traitor Ananias, Tverdilo's flunky.

Gavrilo and Vasili are seriously wounded and are found by Olga, who retrieves them from the battlefield. Though they defer to each other, in the end Vasili publicly states that neither was the bravest in battle: that honor goes to Vasilisa, followed by Gavrilo. Thus Gavrilo and Olga are united while Vasili chooses Vasilisa as his bride-to-be (with her unspoken consent).

Cast

Nikolay Cherkasov as Prince Alexander Nevsky

Nikolay Okhlopkov as Vasili Buslaev

Andrei Abrikosov as Gavrilo Oleksich

Dmitry Orlov as Ignat, the master armorer

Vasili Novikov as Pavsha, a voivode of Pskov

Nikolai Arsky as Domash Tverdislavich, a Novgorod boyar

Varvara Massalitinova as Amelfa Timoferevna, Buslay's Mother

Valentina Ivashova as Olga Danilovna, a maid of Novgorod

Aleksandra Danilova as Vasilisa, a maid of Pskov

Vladimir Yershov as Hermann von Balk, the Grand Master of the Teutonic Order

Sergei Blinnikov as Tverdilo, the traitor of Pskov

Ivan Lagutin as Anani, a Monk

Lev Fenin as the Archbishop

Naum Rogozhin as the Black-Hooded Monk

1930s political context

Eisenstein made Alexander Nevsky, his first completed film in 10 years, during the Stalinist era, at a time of strained relations between the Soviet Union and Nazi Germany. The film contains elements of obvious allegory that reflect the political situation between the two countries at the time of production. Some types of helmets worn by the Teutonic infantry resemble mock-ups of Stahlhelms from World War I. In the first draft of the Alexander Nevsky script, swastikas even appeared on the invaders' helmets. The film portrays Alexander as a folk hero and shows him bypassing a fight with the Mongols, his old foes, in order to face the more dangerous enemy.