[27] Mendelssohn had been thrown out of a cabriolet in London in 1829, and his knee seriously injured.

Moreover this is Christmas Eve; but I feel little interest in it, or in New Year's Night either. Please God, another year may wear a very different aspect, and I will not then go to the theatre on Christmas Eve, as I am about to do to-night, to hear Lablache and Rossini for the first time. How little I care about it! I should much prefer _Polichinelles_ and apples to-day, and I think it very doubtful whether the orchestra will play as pretty a symphony as my "Kinder-Sinfonie."[28] I must be satisfied with it however. I am now modulating into the minor key, a fault with which the "École Allemande" are often reproached, and as I profess not to belong to the latter, the French say I am _cosmopolite_. Heaven defend me from being anything of the kind!

Letters of Felix Mendelssohn Bartholdy from Italy and Switzerland — Part 162

[28] A "Kinder-Sinfonie," composed by Mendelssohn in the year 1829, for a Christmas family fête.

Letters of Felix Mendelssohn Bartholdy from Italy and Switzerland — Part 162

And now good-bye; a thousand compliments from Bertin de Vaux, Girod de l'Ain, Dupont de l'Eure, Tracy, Sacy, Passy and other kind friends. I had intended to have told you in this letter how Salverte attacked the Ministers, and how during this time a little _émeute_ took place on the Pont Neuf; how I sat in the Chambers along with Franck, in the midst of St. Simoniens; how witty Dupin was; but no more at present. May you all be well and happy this evening, and thinking of me!

Letters of Felix Mendelssohn Bartholdy from Italy and Switzerland — Part 162

For three months past I have been thinking of writing you a musical letter, but my procrastination has its revenge, for though I have been a fortnight here, I don't know whether I shall still be able to do so. I have appeared in every possible mood here; in that of an inquiring, admiring traveller; a coxcomb; a Frenchman, and yesterday actually as a Peer of France; but not yet as a musician. Indeed there is little likelihood of the latter, for the aspect of music here is miserable enough.

The concerts in the Conservatoire, which were my great object, probably will not take place at all, because the Commission of the Ministry wished to give a Commission to the Commission of the society, to deprive a Commission of Professors of their share of the profits; on which the Commission of the Conservatoire replied to the Commission of the Ministry, that they might go and be hanged (suspended), and then they would not consent to it. The newspapers make some very severe comments on this, but you need not read them, as these papers are prohibited in Berlin; but you don't lose much by this. The Opéra Comique is bankrupt, and so it has had _relâche_ since I came; at the Grand Opéra, they only give little operas, which amuse me, though they neither provoke nor excite me. "Armida" was the last great opera, but they gave it in three acts, and this was two years ago. Choron's "Institut" is closed, the "Chapelle Royale" is gone out like a light; not a single Mass is to be heard on Sundays in all Paris, unless accompanied by serpents. Malibran is to appear here next week for the last time. So much the better, say you: retire within yourself, and write music for "Ach Gott vom Himmel," or a symphony, or the new violin quartett which you mentioned in your letter to me of the 28th, or any other serious composition; but this is even more impossible, for what is going on here is most deeply interesting, and entices you out, suggesting matter for thought and memory and absorbing every moment of time. Accordingly I was yesterday in the Chambre des Pairs, and counted along with them the votes, destined to abolish a very ancient privilege; immediately afterwards I hurried off to the Théâtre Français, where Mars was to appear for the first time for a year past; (she is fascinating beyond conception; a voice that we shall never hear equalled, causing you to weep, and yet to feel pleasure in doing so). To-day I must see Taglioni again, who along with Mars constitutes two Graces (if I find a third in my travels, I mean to marry her), and afterwards I mean to go to Gérard's classical _salon_. I lately went to hear Lablache and Rubini, after hearing Odillon Barrot quarrel with the Ministry. Having seen the pictures in the Louvre in the morning, I went to Baillot's; so what chance is there of living in retirement? The outer world is too tempting.