At sunset we all went aft to see Malindang for the last time. To the southeast it stood stolidly against the flushed sky, a white cloud about it, reminding one of some old Indian chief wrapped in his blanket, passively watching the departure of the pale-faces who had invaded his mighty solitude. To the north were Negros, Cebu, and Siquijor; to the south Mindanao; and even far-distant Camaguin to the east, with a faint wisp of smoke from its volcano. Then night came upon us suddenly and blotted out Mount Never Pass--perhaps forever.

After our experiences in the far south, we found Oslob, Pasacao, and Guinayangan strangely uninteresting, although at the beginning of our cable trip I have no doubt we should have enjoyed them hugely. There were the same curious natives who dogged our every footstep; the same nipa shacks surrounded by palms and bamboos in the same dazzling sunshine, of which no words or symbols or formulas could give one an idea. There were the inevitable churches with decorations of faded artificial flowers and much tarnished tinsel, the same wooden images with large eyes and simpering little mouths, the same glaring chromos of the Virgin and her angels.

A Woman's Journey through the Philippines — Part 109

In Oslob the church was further decorated by brown velvet portières being painted at each side of the long windows, an obvious advantage in the event of house-cleaning, while the wooden pillars were also stained to resemble marble. At the time of our visit women knelt on the bare floor at their prayers, all wearing stiffly starched white linen veils, which did not entirely conceal their fleshly interest in ourselves, the while they told their rosaries with busy fingers.

A Woman's Journey through the Philippines — Part 109

Guinayangan had a wooden belfry to one side of its church, the bells therein being made of metal arms captured from the Moros many years before. We also noticed, on entering the church, a palanquin shaped affair at one side of the door. This, we were told, was used by the priest in processions, when altar boys dressed in scarlet and white robes carry him thus enthroned, two other boys walking ahead of the procession and two behind, all bearing candles in candelabra taller than themselves, and all dressed in scarlet and white like the bearers of the palanquin. It was used as well for a confessional, and to carry the priest to and from visits of extreme unction.

A Woman's Journey through the Philippines — Part 109