[Footnote F: That is, three hours a week; so, too, in all subsequent instances.]
Washington in April--A Metropolis in the Making--The White House, the Capitol, and the Library of Congress--The Symbolism of Washington.
To profess oneself disappointed with Washington in this first week of April, 1899, would be like complaining of the gauntness of a rosebush in December. What would you have? It is not the season, either politically or atmospherically. Congress is gone, and spring has not come. In the city of leafy avenues there is not a leaf to be seen, and, except the irrepressible crocus, not a flower. A fortnight hence, as I am assured, the capital of the Great Republic will have put on a regal robe of magnolia and other blossoms, that will "knock spots out of" Solomon in all his glory. In the meantime, the trees line the avenues in skeleton rows, like a pyrotechnic set-piece before it is ignited. It is useless to pretend, then, that I have seen Washington. The trumpet of March has blown, the pennon of May is not yet unfurled; and even the cloudless sunshine of the past two days has only reduplicated the skeleton trees in skeleton shadows. Washington is not responsible for the tardiness of the spring. It would be unjust to take umbrage at the city because one finds none in its avenues.
Yet I cannot but feel that I have, so to speak, found Washington out. I have chanced upon her without her make-up, and seen the real face of the city divested of its wig of leafage and rouge of blossoms. Here, for the first time, at any rate, I am impressed by that sense of rawness and incompleteness which is said to be characteristic of America. Washington will one day be a magnificent city, of that there is no doubt; but for the present it is distinctly unfinished. The very breadth of its avenues, contrasted with the comparative lowness of the buildings which line them, gives it the air rather of a magnified and glorified frontier township than of a great capital on the European scale. Here, for the first time, I am really conscious of the newness of things. The eastern cities--Boston, New York, Philadelphia, Baltimore--are, in effect, not a whit newer than most English towns. Oxford and Cambridge, no doubt, and a few cathedral cities, give one a habitual consciousness of dwelling among the relics of the past. They are our Nuremburg or Prague, Siena or Perugia. In most English cities, on the other hand, as in London itself, one has no habitual sense of the antiquity of one's surroundings. Apart from a few tourist-haunted monuments, which the resident passes with scarcely a glance, the general run of buildings and streets, if not palpably modern, can at most lay claim to a respectable, or disreputable, middle-age. Now, an eminently respectable middle-age is precisely the characteristic of the central regions of Philadelphia and Baltimore; while in New York both reputable and disreputable middle-age are amply represented. One may almost say that these Eastern cities are fundamentally old-fashioned, and that all their modern mechanism of electric cars, telephone wires, and what not, is but a thin and transparent outer network, through which the older order of things is everywhere peering. And from this very contrast between the old and the new, this sense of visible time-strata in the structure of a city, there results a very real effect of age.