"Oh! thanks, thanks a thousand times! Ah! you are too kind!"

"I must go; adieu! But, in heaven's name, keep out of sight, don't show yourself!"

Monsieur Cherami — Part 47

As she spoke, Adolphine made a sign of intelligence to Cherami, who imagined that the charming young woman was throwing him a kiss; but she disappeared just as he left the table to go to embrace her; and as the waiter entered the room at that moment, the ex-beau bestowed a resounding smack upon that functionary's cheek.

Monsieur Cherami — Part 47

"Sacrebleu! what is this?" cried Cherami, roughly pushing back the waiter, who stood by the door in open-mouthed amazement at the caress he had received.--"Why the devil do you come up under my nose, waiter? Plague take the knave! I said to myself: 'Gad! this young lady uses very cheap soap!'"

Monsieur Cherami — Part 47

"Pardon, monsieur; it isn't my fault; I was coming in, and you ran into my arms. I know well enough that it wasn't me you meant to embrace."

"Some of them have gone, too; but many stayed, and are playing cards."

"And the Blanquette party, waiter--what are they doing now?"

"The Blanquette party are still at table, monsieur, and singing."

"Ah! I recognize them by that. They'll sit at table till ten o'clock, those people; the petty bourgeois sing at dessert, which is very bad form. However, I confess that I have sometimes gone so far as to hum a ditty myself; I have even composed one on occasion, one which Panard or Collé wouldn't have been ashamed to father. But I like a touch of smut myself; don't talk to me of your insipid ballads about roses and zephyrs and the springtime; no, nor your political ballads either; I abominate them; and yet, that's the kind of thing that makes great reputations; and I know men who would have been nothing more than common ballad-mongers, if they hadn't flattered parties and passions, and who have reached the very pinnacle of fame because they always end their couplets with the words _fatherland_ and _liberty_. O Armand Gouffé! O Désaugiers! you didn't resort to such methods, so very little is heard of you. You are none the less the real French ballad-makers; your fruitful and vigorous muse has discovered innumerable varied subjects and described them in song, which is much more difficult than to keep harping on the same refrain."