[12] Mr. Kemble brought out the pathetic play of Deaf and Dumb, in which he sustains the character of the abbé de l'Epée with admirable effect.

Whilst the subject is before me, I beg leave to mention a curious circumstance which was related by a very ingenious and honourable man, in a party where I happened to be present, to prove the truth and agreement of nature, in her association of ideas. A blind man was asked by him, to what sound he resembled the sensation produced by touching a piece of red cloth, he immediately replied, to the sound of a trumpet. A pupil of the College of the Deaf and Dumb, who could faintly hear a loud noise, if applied close to his ear, was asked, to what colour he could compare the sound of a trumpet, he said, it always excited in his mind, the remembrance of scarlet cloth[13]. Two pupils, male and female, of the same College, who had been placed near cannon, when discharged, without being susceptible of the sound, were one day taken by their humane tutor, into a room where the harmonica was playing; a musical instrument, which is said to have a powerful influence over the nerves. He asked them by signs, if they felt any sensation. They replied in the negative. He then placed the hand of the girl upon the instrument, whilst it was playing, and repeated the question, she answered, that she felt a new pleasure enter the ends of her fingers, pass up her arms, and penetrate her heart.

The Stranger in France — Part 106

[13] The first experiment is well known. It is also noticed in Locke upon the Human Understanding.

The Stranger in France — Part 106

The same experiment was tried upon her companion, who seemed to be sensible of similar sensations of delight, but less acutely felt.

The Stranger in France — Part 106

The emotions of sympathy are, perhaps, more forcibly excited by music than by any other cause. An illustrious example of its effect is introduced into Boerhaave's academical lectures on the diseases of the nerves, published by Van Eems. Theodosius the Great, by levying an excessive tribute, inflamed the minds of the people of Antioch against him, who prostrated his statues, and slew his ambassadors.

Upon coolly reflecting on what they had done, and remembering the stern and ruthless nature of their sovereign, they sent deputies to implore his clemency and forgiveness. The tyrant received them, without making any reply. His chief minister lamenting the condition of these unhappy people, resolved upon an expedient to move the soul of his offended prince to mercy. He accordingly instructed the youths whose office it was to entertain the emperor with music during dinner, to perform an affecting and pathetic piece of music, composed for the purpose. The plaintive sounds soon began to operate. The emperor, unconscious of the cause, bedewed his cup with tears, and when the singers artfully proceeded to describe the sufferings of the people of Antioch, their imperial master could no longer contain himself, but, moved by their pathos, although unaccustomed to forgive, revoked his vengeance, and restored the terrified offenders to his royal favour.