21. _Critical Remarks on Sir Charles Grandison, Clarissa, and Pamela_ (1754).
22. Samuel Johnson's _The Vanity of Human Wishes_ (1749) and Two _Rambler_ papers (1750).
23. John Dryden's _His Majesties Declaration Defended_ (1681).
24. Pierre Nicole's _An Essay on True and Apparent Beauty in Which from Settled Principles is Rendered the Grounds for Choosing and Rejecting Epigrams_, translated by J. V. Cunningham.
25. Thomas Baker's _The Fine Lady's Airs_ (1709).
26. Charles Macklin's _The Man of the World_ (1792).
27. Frances Reynolds' _An Enquiry Concerning the Principles of Taste, and of the Origin of Our Ideas of Beauty, etc._ (1785).
28. John Evelyn's _An Apologie for the Royal Party_ (1659); and _A Panegyric to Charles the Second_ (1661).
29. Daniel Defoe's _A Vindication of the Press_ (1718).
30. Essays on Taste from John Gilbert Cooper's _Letters Concerning Taste_, 3rd edition (1757), & John Armstrong's _Miscellanies_ (1770).
31. Thomas Gray's _An Elegy Wrote in a Country Church Yard_ (1751); and _The Eton College Manuscript_.
32. Prefaces to Fiction; Georges de Scudéry's Preface to _Ibrahim_ (1674), etc.
33. Henry Gally's _A Critical Essay_ on Characteristic-Writings (1725).
34. Thomas Tyers' A Biographical Sketch of Dr. Samuel Johnson (1785).
35. James Boswell, Andrew Erskine, and George Dempster. _Critical Strictures on the New Tragedy of Elvira, Written by Mr. David Malloch_ (1763).
36. Joseph Harris's _The City Bride_ (1696).
37. Thomas Morrison's _A Pindarick Ode on Painting_ (1767).
38. John Phillips' _A Satyr Against Hypocrites_ (1655).
39. Thomas Warton's _A History of English Poetry_.
40. Edward Bysshe's _The Art of English Poetry_ (1708).
41. Bernard Mandeville's "_A Letter to Dion_" (1732).
42. Prefaces to Four Seventeenth-Century Romances.
Variations in spelling, punctuation and hyphenation have been retained except in obvious cases of typographical error:
"... joined increased (conveniencies->) conveniences" "... which nothing imperfect (eould->) would please,"
Footnotes interrupting paragraphs have been moved to the end of the respective paragraphs.
***END OF THE PROJECT GUTENBERG EBOOK DISSERTATION ON THE PROGRESS OF THE FINE ARTS
***
