I must add that if this reflexion didn't occupy him long, and if no meditation, after his return from Paris, held him for many moments, there was a reason better even than that he was tired, that he was busy, that he appreciated the coincidence of the hit and the hurrah, the hurrah and the hit. That reason was simply Mrs. Dallow, who had suddenly become a still larger fact in his consciousness than his having turned actively political. She _was_ indeed his being so--in the sense that if the politics were his, how little soever, the activity was hers. She had better ways of showing she was clever than merely saying clever things--which in general only prove at the most that one would be clever if one could. The accomplished fact itself was almost always the demonstration that Mrs. Dallow could; and when Nick came to his senses after the proclamation of the victor and the drop of the uproar her figure was, of the whole violent dance of shadows, the only thing that came back, that stayed. She had been there at each of the moments, passing, repassing, returning, before him, beside him, behind him. She had made the business infinitely prettier than it would have been without her, added music and flowers and ices, a finer charm, converting it into a kind of heroic "function," the form of sport most dangerous. It had been a garden-party, say, with one's life at stake from pressure of the crowd. The concluded affair had bequeathed him thus not only a seat in the House of Commons, but a perception of what may come of women in high embodiments and an abyss of intimacy with one woman in particular.

She had wrapped him up in something, he didn't know what--a sense of facility, an overpowering fragrance--and they had moved together in an immense fraternity. There had been no love-making, no contact that was only personal, no vulgarity of flirtation: the hurry of the days and the sharpness with which they both tended to an outside object had made all that irrelevant. It was as if she had been too near for him to see her separate from himself; but none the less, when he now drew breath and looked back, what had happened met his eyes as a composed picture--a picture of which the subject was inveterately Julia and her ponies: Julia wonderfully fair and fine, waving her whip, cleaving the crowd, holding her head as if it had been a banner, smiling up into second-storey windows, carrying him beside her, carrying him to his doom. He had not reckoned at the time, in the few days, how much he had driven about with her; but the image of it was there, in his consulted conscience, as well as in a personal glow not yet chilled: it looked large as it rose before him. The things his mother had said to him made a rich enough frame for it all, and the whole impression had that night kept him much awake.

The Tragic Muse — Part 147