When they returned to the green room they laughed as freely with the scene shifters as with the authors, and talked broken French while they adjusted all kinds of frightful rags upon their charming visages. Their smile was the calm smile of perfect innocence or of complete corruption.

CHARLES NODIER.--The Academy, yielding to custom, has suppressed universally the double consonant in verbs where this consonant supplanted euphoniously the _d_ of the radical _ad_.

The Memoirs of Victor Hugo — Part 34

MYSELF.--I avow my profound ignorance. I had no idea that custom had effected this suppression and that the Academy had sanctioned it. Thus one should no longer write _atteindre, approuver, appeler, apprehender_, etc., but _ateindre, aprouver, apeler, apréhender_?

The Memoirs of Victor Hugo — Part 34

M. VICTOR COUSIN.--I desire to point out to M. Hugo that the alterations of which he complains come from the movement of the language, which is nothing else than decadence.

The Memoirs of Victor Hugo — Part 34

MYSELF.--M. Cousin having addressed a personal observation to me, I beg to point out to him in turn that his opinion is, in my estimation, merely an opinion and nothing more. I may add that, as I view it, “movement of the language” and decadence have nothing in common. Nothing could be more distinct than these two things. Movement in no way proves decadence. The language has been moving since the first day of its formation; can it be said to be deteriorating? Movement is life; decadence is death.

M. COUSIN.--The decadence of the French language began in 1789.

This is what was told to me at to-day’s session:

Salvandy recently dined with Villemain. The repast over, they adjourned to the drawing-room, and conversed. As the clock struck eight Villemain’s three little daughters entered to kiss their father good night. The youngest is named Lucette; her birth cost her mother her reason; she is a sweet and charming child of five years.

“Well, Lucette, dear child,” said her father, “won’t you recite one of Lafontaine’s fables before you go to bed?”

“Here,” observed M. de Salvandy, “is a little person who to-day recites fables and who one of these days will inspire romances.”

Lucette did not understand. She merely gazed with her big wondering eyes at Salvandy who was lolling in his chair with an air of benevolent condescension.