The Romans had declared they would hold out to the last, and though they were left with scarcely any food, though they might have at once procured it, had they consented to eat their own words, they declined to satisfy their hunger by such a humiliating process. All hope of saving the city being apparently lost, the senate entered into an agreement with one Caius Mucius, who could talk a little Tuscan, and who undertook to go across the water for the purpose of killing Porsenna. Mucius disguised himself in an Etrurian helmet--a sort of Tuscan bonnet--and with a sword concealed under the folds of his ample Roman wrap-rascal, he arrived at Porsenna's camp, just as the salaries were being paid to the soldiers. While the troops were intent on drawing their pay, Mucius slily drew his sword, and seeing an individual rather handsomely dressed, rushed upon him to administer to him, with the weapon, a most unhandsome dressing.

The individual thus assailed was rapidly despatched, but it turned out that the victim, instead of being the king, was an unfortunate scribe, or writer, who could have been by no means prepared for this unusual fate of genius. Had the critics unmercifully cut him up, the scribe would have felt that his death was, to a certain extent, in the way of business; but to be murdered by mistake for a king, was a result that any member of the republic of letters might fairly have objected to. It may appear at first sight startling that a literary man should have been well-dressed, and in the company of a king, but it must be remembered that the scribe was not necessarily a man of remarkable ability. His art was that of a mere copyist, which, even in these days, frequently gains a reputation for the imitator, who is often confounded with, instead of being confounded by the man of original genius. The scribes of antiquity, like many modern writers, did no more than set down the thoughts of others, and, as their style was extremely hard, consisting of a piece of iron, with which they wrote upon wax, their works were not likely to make a very deep or lasting impression.

The Comic History of Rome — Part 45

Our pity for the unfortunate literary character is considerably lessened by the fact, that being in the camp he had no doubt been dining with the guards; and we know he was wearing a showy dress--two circumstances indicating an affectation of the manners of the fast man, which are always unbecoming to the man of letters.

The Comic History of Rome — Part 45