The most remarkable edifices in Malta are the churches and the Albergas; which latter are now converted into public offices or other establishments of a useful nature. Their exterior denotes the end of their construction and the various sections of Knights of St. John, under whose auspices and for whose purposes they were raised.
These Albergas are now appropriated to government offices; one is occupied by the Malta Union Club, two others as courts of law, a fourth as the Civil Arsenal and Government Printing Office. The Auberge (or Alberga) de Castile is occupied by the officers of the English garrison; the Commissary-General tenants the Auberge de France--and so on.
The church of St. John holds the first rank among the numerous churches and convents of Malta. The interior is of an oblong form; the uppermost part, which forms the choir, is ornamented with an admirable piece of sculpture in white marble, on a raised base, representing the baptism of Christ by St. John, in two figures as large as life. The semicircular roof which covers the nave is adorned with paintings illustrative of the life of the above-mentioned apostle. The pavement is composed of sepulchral slabs worked in mosaic with various-coloured marble; many of them contain jasper, agate, and other precious stones, the cost of which must have been very great. These cover chiefly the graves of the knights and other servants of the order. The grand altar, which stands at the uppermost part of the nave, is very sumptuous, and deserves notice, on account of the various-coloured marble and other valuable stones of which it is constructed. The chapels of the different languages of the order, which run parallel with the nave, form the two aisles, and are very splendidly decorated. The roofs are constructed in the shape of a dome in the interior, and are profusely carved with different ornaments in alto-relievo, as also are the walls. The whole was gilded during the reigns of Rafael and Nicolas Cotoner, as appears from an inscription over the entrance on the west side of the building. The arches of these chapels correspond on both sides, and leave their interior quite exposed to view, as you pass down the nave. The second arch covers the chapel of the Portuguese knights. Over the altar is a drawing of St. James; and on the side-walls are two other paintings, representing some traditionary scenes in the life of that apostle.