He reflected upon Cosette, and he reflected upon Geraldine. It was like returning to two lumps of sugar in one's tea after having got accustomed to three.
He was very proud of himself for having so ruthlessly abandoned Monte Carlo, Cosette, Loulou, Tom, and the whole apparatus. And he had the right to be.
They were nervous, both of them. Although they had been legally and publicly married and their situation was in every way regular, although the new flat in Ashley Gardens was spacious, spotless, and luxurious to an extraordinary degree, although they had a sum of nearly seven thousand pounds at the bank, although their consciences were clear and their persons ornamental, Henry and Geraldine were decidedly nervous as they sat in their drawing-room awaiting the arrival of Mrs. Knight and Aunt Annie, who had accepted an invitation to afternoon tea and dinner.
It was the third day after the conclusion of their mysterious honeymoon.
'Have one, dearest?' said Geraldine, determined to be gay, holding up a morsel which she took from a coloured box by her side. And Henry took it with his teeth from between her charming fingers. 'Lovely, aren't they?' she mumbled, munching another morsel herself, and he mumbled that they were.
She was certainly charming, if English. Thoughts of Cosette, which used to flit through his brain with a surprising effect that can only be likened to an effect of flamingoes sweeping across an English meadow, had now almost entirely ceased to disturb him. He had but to imagine what Geraldine's attitude towards Cosette would have been had the two met, in order to perceive the overpowering balance of advantages in Geraldine's favour.
As a consequence of natural reaction, he had at once settled down to be extremely serious, and to take himself seriously. He had been assisted in the endeavour by the publication of an article in a monthly review, entitled 'The Art of Henry Shakspere Knight.' The article explained to him how wonderful he was, and he was ingenuously and sincerely thankful for the revelation. It also, incidentally, showed him that 'Henry Shakspere Knight' was a better signature for his books than 'Henry S. Knight,' and he decided to adopt it in his next work. Further, it had enormously quickened in him the sense of his mission in the world, of his duty to his colossal public, and his potentiality for good.