The building was well adapted for the purpose. A ring was formed and fenced in with stout posts and rails so that there would be no danger to the spectators. On the opening night the place was packed. A challenge had been issued. Two hundred pounds would be given to anyone who could sit The Savage for ten minutes; assistance would be given to mount. Fifty pounds was offered for riding half a dozen others, ten pounds for the remainder, all ten minutes' spells.

There were scores of men in Sydney and the surrounding districts who thought they were equal to the various tasks set.

The Sweep Winner — Part 51

Six well-known riders sent in their names. Two of them came from Wagga with big reputations, and one from Bathurst. They all tried The Savage. The horse had an easy task, for he was no sooner mounted than he shot riders through the air like rockets. Not one of them made the semblance of a fight with him.

The Sweep Winner — Part 51

Then Glen Leigh's turn came. He sprang into the saddle without assistance and the battle commenced. Round and round the ring The Savage bucked in a series of furious leaps. He kicked, squealed, fought desperately, tried to bite Glen's leg, but all in vain; he stuck to his seat in splendid style. The Savage finding these tactics of no avail, threw himself down. Glen slipped out of the saddle. As the horse struggled to his feet he sprang on again amidst a hurricane of applause. At the end of a quarter of an hour he concluded his exhibition, and when he stood in the ring holding The Savage tight by the bridle, the people cheered him to the echo, and the building rang with the shouts. The other riders were exciting, but paled before the performance of Glen Leigh and The Savage.

The Sweep Winner — Part 51

As the crowd left the building everybody was asking who Glen Leigh was, and where he came from. He was the most wonderful rider they had seen.

Jerry Makeshift had not given Glen away. He reserved the account he intended to publish for the issue following the opening night. He made good use of the material he had in hand. It so happened that "The Sketch" came out in the afternoon of the next day, and a full account of the "keeper of the fence" was given and the manner in which he had captured the horses and brought them to Sydney.