In Mrs. Centlivre's admirable comedy of _A Bold Stroke for a Wife_, we see the origin of that popular phrase, the real Simon Pure. Simon Pure is the Quaker name adopted by Colonel Feignwell as a trick to obtain the hand of Mistress Anne Lovely in marriage. The veritable Quaker, the "real Simon Pure," recommended by Aminadab Holdfast, of Bristol, as a fit sojourner with Obadiah Prim, arrives at last, to the discomfiture of the Colonel, who, to maintain his position and gain time, concocts a letter in which the real Quaker is spoken of as a housebreaker who had travelled in the "leather conveniency" from Bristol, and adopted the garb and name of the western Quaker in order to pass off as the "Real Simon Pure," but only for the purpose of robbing the house and cutting the throat of the perplexed Obadiah. The scene in which the two Simon Pures, the real and the counterfeit, meet, is one of the best in the comedy.
Tom Brown, of "facetious memory," as his friends were wont to say, and Ned Ward, who wrote humorous books, and when tired drew beer for his customers at his alehouse in Long Acre,[36] were both great producers of Slang in the last century, and to them we owe many popular current phrases and household words.
Written Slang was checked, rather than advanced, by the pens of Addison, Johnson, and Goldsmith; although Bee, the bottle-holder and historiographer of the pugilistic band of brothers in the youthful days of flat-nosed Tom Cribb, has gravely stated that Johnson, when young and rakish, contributed to an early volume of the _Gentleman's Magazine_ a few pages, by way of specimen, of a slang dictionary, the result, Mr. Bee says, "of his midnight ramblings!"[37] This statement is not only improbable, but an investigation of the venerable magazine, though strict and searching, produces no evidence in corroboration of Mr. Bee. Goldsmith, even, certainly coined a few words as occasion required, although as a rule his pen was pure and graceful, and adverse to neologisms. The word "fudge," it has been stated, was first used by him in literary composition, although it probably originated with one Captain Fudge, a notorious fibber, nearly a century before. Street phrases, nicknames, and vulgar words were continually being added to the great stock of popular Slang up to the commencement of the present century, when it received numerous additions from pugilism, horse-racing, and "fast" life generally, which suddenly came into great public favour, and was at its height in the latter part of the reign of George III., and in the early days of the Regency. Slang in those days was generally termed "flash" language. It will thus be noted that the term "flash" has in turn represented both Cant and Slang; now the word Slang has become perfectly generic. So popular was "flash" with the "bloods" of high life, that it constituted the best paying literary capital for certain authors and dramatists. Pierce Egan issued _Boxiana_, and _Life in London_, six portly octavo volumes, crammed with Slang; and Moncrieff wrote the most popular farce of the day, _Tom and Jerry_ (adapted from the latter work), which, to use newspaper Slang, "took the town by storm," and, with its then fashionable vulgarisms, made the fortune of the old Adelphi Theatre, and was without exception the most wonderful instance of a continuous theatrical run in ancient or modern times. This also was brimful of Slang. Other authors helped to popularize and extend Slang down to our own time, and it has now taken a somewhat different turn, dropping many of the Cant and old vulgar words, and assuming a certain quaint and fashionable phraseology--familiar, utilitarian, and jovial. There can be no doubt that common speech is greatly influenced by fashion, fresh manners, and that general change of ideas which steals over a people once in a generation. But before proceeding further into the region of Slang, it will be well to say something on the etymology of the word.