"Because Madame Girard is so ridiculous, and spoils a really pretty face by the most absurd pretensions. She has but one thought, that of imitating, or rather parodying with silly minuteness, the costume of Madame de Luceval, because she is the most fashionable woman in Paris."

"Yes, you have before spoken to me of this peculiarity of Madame Girard. I should very much like to see Madame de Luceval--the Marquise de Luceval, I think. They say she is a very charming woman."

Paula Monti — Part 72

"Very charming, very original; dressing as no other woman but herself could venture to dress; and yet that little fool Madame Girard copies her to her very shoe-tie, under the pretext of being very much like her."

Paula Monti — Part 72

"Yes," replied De Brévannes, "as a goose resembles a swan."

Paula Monti — Part 72

At this moment the door of the box was opened, and Madame Girard came in, followed by M. Girard, a rich manufacturer, carrying her fan and smelling-bottle; he had, besides, as a cuirass between his coat and greatcoat, a small _chancelière_ of morocco, lined with ermine, for Madame Girard always had cold feet, she said, which was not true; but she had seen one of the Patagonian and powdered footmen of the Marquise de Luceval follow her with such a foot-warmer in his hands; and in the absence of a Patagonian and powdered lacquey, poor Girard carried the affair for his wife.

Madame Girard was a little woman, brunette, high-coloured, very well made, and would have been pretty but for her intolerable affectation. Poor Bertha could not conceal her surprise at Madame Girard's singular head-dress.

Our readers may, perhaps, be equally astonished when we describe the _thing_.

Imagine a sort of Polish cap, of black velvet, with a small peak, ornamented with a bunch of white feathers fastened to the side by a large boss of poppy-coloured satin, and the whole jauntily placed a little on one side of Madame Girard's head; her hair, which was brown, being _crepéd_ in great bunches.

With this _thing_ Madame Girard wore a high velvet gown of bright orange colour, with tight body, like a riding-habit, and decorated with silken brandebourgs to match.

This attire had nothing absolutely ridiculous in itself, but completed by the cap and feathers, it looked so extremely odd, that it actually created quite a sensation in the theatre, and all the _lorgnettes_ were directed towards Madame Girard, who did not feel herself entirely at ease, whilst Bertha blushed with confusion.