You ask me if you should write in "A Wine of Wizardry" vein, or in that of "The Testimony of the Suns." Both. I don't know in which you have succeeded the better. And I don't know anyone who has succeeded better in either. To succeed in both is a marvelous performance. You may say that the one is fancy, the other imagination, which is true, but not the whole truth. The "Wine" has as true imagination as the other, and fancy into the bargain. I like your grandiose manner, and I like the other as well. In terms of another art I may say--rear great towers and domes. Carve, also, friezes. But I'd not bother to cut single finials and small decorations. However exquisite the workmanship, they are not worth your present attention. If you were a painter (as, considering your wonderful sense of color, you doubtless could have been) your large canvases would be your best.

I don't care if that satire of Josephare refers to me or not; it was good. He may jump on me if he wants to--I don't mind. All I ask is that he do it well.

The Letters of Ambrose Bierce — Part 78

I passed yesterday with Percival Pollard, viewing the burnt district of Baltimore. He's a queer duck whom I like, and he likes your work. I'm sending you a copy of "The Papyrus," with his "rehabilitation" of the odious Oscar Wilde. Wilde's work is all right, but what can one do with the work of one whose name one cannot speak before women?

The Letters of Ambrose Bierce — Part 78

The "belatedness" of your letter only made _me_ fear that _I_ had offended _you_. Odd that we should have such views of each other's sensitiveness.

The Letters of Ambrose Bierce — Part 78

About Wood. No doubt that he is doing all that he can, but--well, he is not a publisher. For example: He sent forty or fifty "Shapes" here. They lie behind a counter at the bookseller's--not even _on_ the counter. There are probably not a dozen persons of my acquaintance in Washington who know that I ever wrote a book. Now _how_ are even these to know about _that_ book? The bookseller does not advertise the books he has on sale and the public does not go rummaging behind his counters. A publisher's methods are a bit different, naturally.

Only for your interest I should not care if my books sold or not; they exist and will not be destroyed; every book will eventually get to _somebody_.