Psalm 146 in A major (WAB 37) by Anton Bruckner is a psalm setting for double mixed choir, soloists and orchestra. It is a setting of verses 1 to 11 of a German version of Psalm 147, which is Psalm 146 in the Vulgata.
History
It is not known what occasion prompted Bruckner to compose this large-scale work or whether there was any performance in Bruckner's lifetime. The composition was presumably initiated during the St. Florian period () and completed in (at the latest 1858) in Linz, when Bruckner was studying with Simon Sechter. When it was written, for whom, and why it was allowed to languish unperformed are all unanswered questions. Its cantata-like structure ... and stylistic affinity with the Missa solemnis place it in the late St. Florian years, though its enormous dimensions ... are difficult to reconcile with the resources of the monastery.
A sketch of the work is stored in the archive of Wels. An incomplete manuscript and a completed copy with annotations are stored in the archive of the Österreichische Nationalbibliothek. A critical edition was published by Paul Hawkshaw in 1996 in Band XX/4 of the .
The first performance of Bruckner's Psalm 146 by Wolfgang Riedelbauch with the Hans-Sachs-Chor, the Lehrergesangverein Nürnberg and the Nürnberger Symphoniker occurred in the Meistersingerhalle of Nürnberg on 28 November 1971. Six months later another performance by the same ensembles was recorded in the Colosseum-Studio and put on LP. Other performances occurred in May 1975.
A second wave of performances occurred about twenty years later by Heinz Wallberg with the Niederösterreichiches Tonkünstler Orchester, the choir of the Wirtschaftsuniversität Wien and the Kammerchor der Musikhochschule Wien, first in Vienna on 8, 10 and 11 November 1991 and on 13 November in Baden near Vienna.About three years later, the American premiere occurred on 13 January 1995 in the Alice Tully Hall by Leon Botstein with the American Symphony Orchestra and the Canticum Novum Singers. The American premiere used the score prepared by Hawkshaw for the Bruckner's .
Twenty years later, during the 25th Ebrach Summer Music Festival, a next performance by Gerd Schaller with the Philharmonie Festiva orchestra and the Philharmonic Choir of Munich occurred on 6 September 2015. Schaller's live performance is put on CD by Profil Hänssler.During the Brucknertage 2023 in St. Florian, Psalm 146 will be performed on 18 and 19 August by Rémy Ballot with the Altomonte Orchester and the St. Florianer Chorakademie.
Recordings of Wallberg's and Botstein's live performances are put in the Bruckner archive.
Text
(Praise God for his well-doings)
Setting
Psalm 146 is the largest of Bruckner's psalm settings. The 652-bar long work in A major is scored for choir and soloists and orchestra (1 flute, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 4 trombones, timpani and strings). The work (total duration about 30 minutes) is divided into six parts: Introduction: "Alleluja! Lobet den Herrn". Langsam, A major – Choir with soprano soloist and solo horn Recitative: F sharp minor veering to D major "Der Herr bauet Jerusalem". Kräftig – Bass soloist and trombones "Er heilet die geschlagenen Herzens sind". Weich – Soprano soloist and horns "Er zählet die Menge der Sterne". Frisch – Tenor soloist and woodwinds (oboes & bassoons) Choir: "Groß ist unser Herr". Schnell, D minor veering to D major – Double choir in antiphony Arioso with Choir: Arioso: "Der Herr nimmt auf die Sanften". Nicht zu langsam, B flat major – Soprano, tenor and alto soloists, with solo oboe and violin Choir: "Singet dem Herrn mit Danksagung". Etwas bewegter, E flat major Bridging arioso: "Er läßt Gras wachsen auf den Bergen" – Soprano soloist "Er gibt dem Vieh seine Speise" – Tenor soloist with solo clarinet "Er hat nicht Lust an der Stärke des Rosses" – Bass soloist with solo bassoon, veering to E minor Arioso: "Der Herr hat Wohlgefallen an denen, die ihn fürchten". Nicht schnell, E major – Soprano soloist Finale with Fugue: "Alleluja! Lobet den Herrn", A major Final choir: Etwas schnell Fugue: Nicht schnell – Choir with soloists at the end
As in the Missa solemnis there are clear influences of Haydn and Schubert, particularly in the ariosos. There are in the Finale two passages with brass instrument chords followed by an Alleluja, for which Bruckner drew his inspiration from the Hallelujah of Händel's Messiah, on which he often improvised on organ.