_The Black Arrow_ also appeared in _Young Folks_ during 1883 as by Captain North; it is said to have been very successful as a serial, but it has not been a great favourite in book form, and is one of the least interesting of his stories.

_Kidnapped_ came out in 1886 in the same paper and was the first to be signed as by Robert Louis Stevenson. In its serial form it was not highly paid for but it had, when Messrs Cassell & Co. published it as a book, a large and an immediate success. It forms the first instalment of the delightful experiences of David Balfour, that somewhat pawky young Scot who, from the moment he leaves 'The Hawes Inn' at Queensferry and embarks on his adventures with Alan Breck and other strange worthies in Appin and elsewhere till we finally bid him good-bye on the last page of _Catriona_, never fails at odd times and places to remind one of Mr Stevenson himself at David's age and of what he might have been and done had David Balfour's fate been his in those early days of plot and turmoil in which his part is played.

Robert Louis Stevenson — Part 67

_Catriona_, which is a continuation of _Kidnapped_, at first appeared in _Atalanta_, and was published in book form by Messrs Cassell & Co. in 1893. In the recent edition of 1898 both volumes are brought out as _The History of David Balfour_, and are beautifully illustrated. _Catriona_ is a charming book, full of life and action, and the breezy, outdoor existence, in the picturing of which its author excels. The Edinburgh of the last half of the eighteenth century, with its quaint closes, and quainter manners, is admirably portrayed, and the old lady with whom Catriona lives, and Lord Prestongrange and his daughters, are very clever pictures from a bygone day. Indeed, Miss Grant is one of the best drawn women in all Mr Stevenson's books; she has life and reality in a greater degree than most of his female characters. She is true to feminine human nature in any age, and as she makes eyes at David Balfour from under her plumed hat, and flirts with him across the narrow close, she is very woman, and alive enough to be some later day judge's daughter of modern Edinburgh, coquetting with Mr Stevenson himself, while she playfully adjusts her becoming head-gear, and lets her long feathers droop to the best advantage.

Robert Louis Stevenson — Part 67