Then, on his way back from the insurance company where he went to increase the sum that protected the small Guarnerius from loss by fire, accident, or theft, John Gilmer called at the offices of certain musical agents and ascertained that Silenski, the violinist, was performing at the time in Munich. It was only some days later, though, by diligent inquiry, he made certain that at a concert on a certain date the famous virtuoso had played a Zigeuner Lullaby of his own composition--the very date, it turned out, on which he himself had been to the Masonic rehearsal at Mark Masons' Hall.

John, however, said nothing of these discoveries to his brother William.

The Wolves of God — Part 164

It was about a week later when a reply to the letter came from Munich--a letter couched in somewhat offensive terms, though it contained neither words nor phrases that could actually be found fault with. Isidore Hyman was hurt and angry. On his return to London a month or so later, he proposed to call and talk the matter over. The offensive part of the letter lay, perhaps, in his definite assumption that he could persuade the brothers to resume the old relations. John, however, wrote a brief reply to the effect that they had decided to buy no new fiddles; their collection being complete, there would be no occasion for them to invite his services as a performer. This was final. No answer came, and the matter seemed to drop. Never for one moment, though, did it leave the consciousness of John Gilmer. Hyman had said that he would come, and come assuredly he would. He secretly gave Morgan instructions that he and his brother for the future were always "out" when the Hebrew presented himself.

The Wolves of God — Part 164

"He must have gone back to Germany, you see, almost at once after his visit here that night," observed William--John, however, making no reply.

The Wolves of God — Part 164

One night towards the middle of January the two brothers came home together from a concert in Queen's Hall, and sat up later than usual in their sitting-room discussing over their whisky and tobacco the merits of the pieces and performers. It must have been past one o'clock when they turned out the lights in the passage and retired to bed. The air was still and frosty; moonlight over the roofs--one of those sharp and dry winter nights that now seem to visit London rarely.