A leg-ball that can be played by sight is sometimes played by raising the left leg. This is quite a hit of the old school,--of Sparkes and Fennex, for instance. Fennex’s pupil, Fuller Pilch, commonly makes this hit. Some first-rate judges--Caldecourt among others--maintain it should never be made, but the Draw always used instead. Mr. Taylor found it a useful variety; for, before he used it, Wenman used to stump him from balls inside leg stump. For some lengths it has certainly the advantage of placing the ball in a more open part of the field.
Another way to play such balls is to step back with the right foot, and thus gain time and length of hop, and play the ball away, with short action of the arm and wrist, about middle On. This also is good, as making one hit more in your game. Another hit there is which bears a name not very complimentary to Mr. James Dean; though Sampson, of Sheffield, attains in a similar manner remarkable certainty in meeting leg-balls, and not inelegantly. My attention was first called to this hit by watching the play of Mr. E. Reeves, who makes it with all the ease and elegance of the Draw, of which I consider it one variety. Clarke says, that with a ball scarcely wide of your leg, he thinks it a good hit: I have, therefore, given a drawing of it in the last page. When done correctly, and in its proper place, it is made by an easy and elegant movement of the wrists, and looks as pretty as the Draw; but this kind of forward play, which takes an awkward ball at its rise and places it on the On-side, however useful to Sampson of Sheffield and the very few who introduce it in its proper place,--this is a hit which _nascitur non fit_, must come naturally, as a variety of forward play. To study it, makes a poking game, and spoils the play of hundreds. So, beware how you practise the poke.
“The best way to score from short-pitched leg-balls,” writes a very good hitter, “is to make a sort of sweep with the left foot, almost balancing yourself by the toe of the said left foot, and resting chiefly on the right foot,--at the same time drawing yourself upright and retiring towards the wicket. This of course is all one movement. In this position you make the heel of your right the pivot on which you turn, and move your left (but in a greater circle), so that both preserve the same parallel as at starting, and come round together; and this I regard as the great secret of a batsman’s movement in this hit. This gives you the power of simply playing the ball down, if it rises much, and likewise of hitting hard if it keep within a foot of the ground. Both Sampson and Parr score very much in this style.”