Michael Arias (born 1968) is an American-born filmmaker active primarily in Japan.
Though Arias has worked variously as visual effects artist, animation software developer, and producer, he is best known for his directorial debut, the anime feature Tekkonkinkreet, which established him as the first non-Japanese director of a major anime film.
Early life
Michael Arias was born in Los Angeles, California. His father, Ron Arias (born 1941) is a former senior writer and correspondent for People magazine and a highly regarded Chicano writer. Michael Arias' mother, Dr. Joan Arias, was a professor of Spanish and IBM Software Sales Specialist.
When still a young boy, Arias often watched movies in the theater with his parents and borrowed 16mm prints from a local public library for screening at home; it was at this stage in his life that he developed his passion for cinema.
Arias graduated from the Webb School of California at the age of 16. He then attended Wesleyan University in Connecticut, majoring in linguistics for two years, before dropping out to pursue a career as a musician. Michael's early musical associates include Moby and Margaret Fiedler McGinnis.
Soon after quitting Wesleyan, Arias moved to Los Angeles, abandoned his musical ambitions and, through the efforts of a family friend, began working in the film industry.
Career
Early filmmaking career
Michael Arias' early filmmaking career is marked by stints in both the U.S. and Japan, working in VFX, CG production and software development, and as a producer of animated films.
Dream Quest Images
Michael Arias began his film career in 1987 at nascent visual effects powerhouse Dream Quest Images (DQ), first as an unpaid intern and then as a full-time employee and IATSE member. The bulk of his time at DQ was spent as a camera assistant on the motion control stages, working on such effects-heavy Hollywood films as The Abyss, Total Recall, and Fat Man and Little Boy.
At the time, the visual effects industry had only just begun adopting digital technologies, and analog techniques such as motion control and stop motion photography, miniatures, optical compositing, matte painting, and pyrotechnics still dominated. Arias, by his own account, flourished in the hands-on environment of DQ ("a big tinkertoy factory run by car nuts and mad bikers").
Back To The Future: The Ride
After two years of working at Dream Quest, Arias returned to the East Coast with the intention of finishing his studies, this time at NYU's Music Technology program. Soon after enrolling though, Arias was contacted by visual effects veteran and fellow Abyss alumnus Susan Sitnek, who invited Arias to join the crew of Universal Studios’ immersive attraction Back To The Future: The Ride (BTTFTR), helmed by visual effects legend Douglas Trumbull. Once relocated to the Berkshires, where pre-production was underway, Arias was drafted by Trumbull to animate the attraction's flight-simulator-style ride vehicles. Of his time working under Trumbull, Arias recalls, "Doug was – IS – such an inspiring figure. For me and the other younger crew, including John Gaeta, now VFX Supervisor on the Matrix films, Doug was so generous with his knowledge; such a very warm and receptive and articulate and creative guy."
Arias' association with Trumbull proved fortuitous, not only for the experience of working daily with Trumbull himself, but also because it resulted in what would be Arias' first trip to Japan, with Trumbull, with whom he toured the Osaka Expo and visited post-production monolith Imagica and video game giant Sega Enterprises. That first visit, combined with Arias' friendship with key members of BTTFTRs largely Japanese modelmaking crew, set the stage for Arias' subsequent long-term stay in Japan.
Imagica and Sega Enterprises
In 1991 Arias accepted an offer to work as a motion-control camera operator in Imagica's Special Effects department, and moved to Tokyo. Then, after less than a year at Imagica, he was invited by up-and-coming game producer Tetsuya Mizuguchi to join a newly formed computer graphics unit at Sega Enterprises Amusement Research and Development facility. At Sega, Arias co-directed and animated the ridefilm Megalopolice: Tokyo City Battle (featured in SIGGRAPH 1993's Electronic Theater).