"That'll make it about break even," Curly answered simply.
"Now," said Doc Tomlinson, "if either of them twins should need any drugs--"
"Drugs!" snorted Dan Anderson. "What would they want with drugs? After they've run around in here for two weeks, you couldn't kill 'em with an axe. If the coyotes don't catch 'em, there's nothing else can happen to 'em."
"I'll give you about eight dollars for the green canary, Tom," said Doc Tomlinson. "I want to hang him in my store."
"But I want to hang him in my wagon," objected Tom Osby. "He's company. You fellers plumb rob me every time I come to town." His voice was plaintive.
"The court rules," observed Dan Anderson, judicially, "that the parrot goes with the twins." And it was finally so decided by the referendum. Whereupon Tom Osby, grumbling and bewailing his hard lot as common carrier, drove off with Curly across the _arroyo_ in search of a new mother for the twins.
The Littlest Girl, Curly's wife, read the letter which Tom offered. Tears sprang to her eyes; and then, as might have been expected of the Littlest Girl, she reached up her arms to the homeless waifs, who stood at the wagon front, each clasping a stubby forefinger of Tom Osby's hand.
"Babies!" cried she. "You poor little babies! Oh!" And so she gathered them to her breast and bore them away, even though a curly head over each shoulder gazed back longingly at the gnarled freighter on his wagon seat. Tom Osby picked up his reins and drove back across the _arroyo_. Thus, without unbecoming ostentation, Heart's Desire became possessed of certain features never before known in its history.
Within a few weeks the parrot and the twins had so firmly established themselves in the social system of the place as to become matters of regular conversation. Curly never appeared at the forum of Whiteman's corral without finding himself the recipient of many queries.
"Why, them twins," he replied one day, "they're in full charge of the _rodeo_. They've got me and the woman hobbled, hitched, and side-lined for keeps. Dead heat between them and Bill, the parrot. They're in on all the plays together. Wherever they go, he's right after 'em, and he night-and-day-herds 'em closer'n a Mexican shepherd dog does a bunch of sheep. Now, I blew in last night, intoe their room, and there was old Bill, settin' on the foot of the bed, watchin' of 'em, them fast asleep. 'Too late now,' says he to me. 'Too late. All over now!' I didn't know what he meant till I looked under the bedclothes; and there was a pan full of ginger cakes the woman had made for the fam'ly. You needn't tell me a parrot can't think."